The Liberty Cabbage Theater Revival
Puppetry as Cultural Critique
". . . a radical living culture of primarily female activists who are making social change through art, music, and performance."
by Lisa Hupp
December 2002
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When I first learned about the Liberty Cabbage Theater Revival,
Rachel Young was passing out fliers for a local conference on genetically
modified organisms ~ just as our class prepared to rappel down a sheer
rock face. The theater troupe was performing at the conference that
night. It was the latest venue in their apparently long and widespread
tour. Weeks later, as I was researching Pioneer Valley organizations
involved in environmental justice movements or issues, I became increasingly
intrigued with the notion of a primarily student-based theater troupe
interpreting and educating about political and environmental justice
through music and art. I wanted to know more. I interviewed Rachel and Erika Arthur one evening at their home in Hadley. They live in the Root 9 Collective, an intentional community of eight to ten women, most of whom are involved in the Liberty Cabbage Theater. Rachel described the troupe as part of a subculture in the global justice movement. They combine art and activism primarily in the form of "political puppetry." One of the first things I learned is that puppetry has been used internationally
for decades as a kind of folk art to relate cultural issues and political
activism to a variety of audiences. Puppets, music and allegorical theater
provide an extremely accessible medium for conveying information and
involving people of all ages and backgrounds of knowledge. A basic tenet
of the art is its anti-elitist form. Materials, like cardboard and papier-mâché,
are mostly scavenged and free. And, the essentialized, melodramatic
characters rely on symbolism, gesture and simple imagery to convey their
message. The Liberty Cabbage Theater Revival began performing in the
wake of September 11, with the "commitment to create the world
in which we would like to live." From short, satirical skits to
an hour-long touring musical, the theater is an extension of the social
change activism of the collective's members. Their major show thus far
has toured all over New England for an extended season throughout the
summer and into the fall of 2002. Collectively written and designed,
"A Sense of
Humus: A Puppet-filled Musical about Agriculture, Gardening, and
the Politics of Genetically Engineered Food," addresses concerns
related to gene technology and genetically engineered foods and possible
risks to consumers and the environment from biotechnology companies
such as Monsanto. It also presents alternatives to biotechnology through
sustainable agriculture techniques. As the "Sense of Humus" performance season comes to a close, the Liberty Cabbage Theater Revival continues its creative activism. Before leaving the Root 9 Collective, I toured the upstairs space dedicated to art supplies, musical instruments, and a few recent props. This is a workplace for the theater, as well as a future studio open for community use ~ just one more way in which the collective and troupe are seeking to engage people with politics and art. |
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