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Women’s Studies
101
Introduction
to Women’s Studies
Fall
2001
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Elissa Gelfand
219 Ciruti Center
Ext. 2336
egelfand@mtholyoke.edu
Office Hours:
Mon & Wed: 10:00-11:00,
Fri: 11:00-12:00
and by appointment
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H. Garrett-Goodyear
209 Skinner Hall
Ext.2451
hgarrett@mtholyoke.edu
Office Hours:
please call ext. 2377
for appointments
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We owe much to colleagues in Women’s Studies who offered
their syllabi and good counsel as we prepared the present
version of “Introduction to Women’s Studies.” Martha Ackmann,
Karen Remmler, and Jean Grossholtz are among former instructors
whose syllabi and experiences encouraged and enabled us to
teach WOST 101 this year. We also benefited from suggestions
by Tamara Burk, director of SAW, and we are grateful for
her help in training us and group facilitators to make good
use of discussion groups this semester. Other members of Women’s
Studies, as well as other past instructors of WOST 101, also
played a constructive role in fashioning this course. Especially,
however, do we owe thanks to Mary Renda, who will surely recognize
as her own much, perhaps most, of what follows. The responsibility
for this syllabus, however, is fully ours. EG and HGG.
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Women’s Studies began in the 1970s as an academic field committed
to uncovering the realities of women’s lives, understanding
the nature of women’s oppression, and charting paths to significant
social change. Over the course of several decades of interdisciplinary
women’s studies scholarship, the scope of the field has both
shifted and expanded considerably. Women’s studies scholars
working in and across the humanities, the social sciences,
and the sciences have traced myriad lines of inquiry from
those first questions about women to investigations into the
very nature of gender identity; its intersection with other
axes of difference such as class, race, and sexuality; and
its intimate connection with what at first seemed to be unrelated
forms of power, knowledge, and practice. This course introduces
the dynamic and still changing field of women’s studies scholarship.
We will consider the value of gender as an analytic category
for understanding women’s lives and the worlds they inhabit.
But we will also consider the limitations and dangers of an
exclusive focus on gender. The intersections among gender,
race, class, and sexuality in various contexts, past and present,
will be central to our inquiry.. How feminist theory has developed,
and how it is practiced in various local and international
contexts, are also on our agenda for the semester.
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The following books may be purchased from
the Odyssey Bookshop:
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Toni Morrison, The Bluest Eye, Plume/Penguin, 1994
(orig.ed., 1970)
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Gloria Anzaldua , Borderlands/La Frontera: The New Mestiza,
Aunt Lute Books, 2nd ed., 1999 (orig.ed, 1987)
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Ann Raimes, Pocket Keys for Writers, Houghton Mifflin
Company, 2000
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All other readings, unless distributed in class, are included
in a reading packet available for at the Women’s Studies Office
(415 Williston); at cost of reproduction. You will also be
expected to view and reflect on three films: “Mississippi
Masala,”, “Safe: Inside A Battered Women’s Shelter,” and “Citizen
Ruth.” Times and places of screenings are included in the
schedule of classes below.
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Expectations
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| 1. Class participation:
The primary format for this course will be student-centered
discussion of course readings. Your active and informed participation
will therefore be crucial for the success of our collective
endeavor. This means that you must read carefully and review
a given set of readings before the class meeting for which it
is assigned. Your participation in your small group discussions
will be equally essential. |
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2. Everyone in class will be required to do significant
writing. You will be asked to submit: a) two brief, informal
responses to readings that will serve as preparation for the
longer essays that follow. These preliminary written exercises
(1-2 pages) will be due on Wednesday, September 26 [in advance
of the first essay] and Wednesday, December 5 [in advance
of the third essay]; b) three longer, more formal essays,
which will be due Monday, October 29 (5 pages); Monday, November
19 (5 pages); and, during the exam period (10 pages).
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Students should take advantage of the resources
provided by the Speaking, Arguing, and Writing Program (SAW),
including consultations with trained student assistants who
can offer feedback on their writing and regular workshops
for those wishing to improve particular aspects of their written
work.
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3. Discussion Groups: Students will meet once a week
in small groups with a facilitator. These group meetings have
two fundamental objectives: a) to guarantee each student
opportunities actively to explore with colleagues the topics
and themes generated by readings and class sessions; and,
b) to enable participants to raise questions and express uncertainty
or confusion arising from readings and class sessions.
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We do not regard these groups as simply
an optional benefit for students but as integral to the exploration
that is "Introduction to Women's Studies." To make
sure that insights as well as questions articulated within
the groups become part of our common project, we will ask
that: a) students, in rotation, report from each group to
the rest of the course participants weekly, by posting a discussion
summary to the course webboard; b) for 10-15 minutes, at the
beginning of each Monday class, students from one group (groups
will rotate each week) present a major issue or question for
consideration by the class as a whole. These oral presentations,
to be based on the previous week's group discussion, will
be followed by 15-20 minutes of responses from students in
other groups. Presentations should not simply summarize the
group's discussion; they should instead try to provoke engagement
among all course participants in a specific issue or problem
confronted within the group, and to stimulate further exploration
among members of other groups.
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In addition, for the first ten minutes
of each small group discussion, one student (in rotation)
will be expected to summarize what happened during the previous
week's regular classes. These summaries, which are for the
benefit for the facilitator and student colleagues, must be
prepared ahead of time in writing and copies submitted to
the two course instructors.
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Please note that
attendance at weekly group discussions is mandatory.
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4. Attendance: You will be allowed a maximum of
three unexcused absences Absences beyond that limit will lower
your grade. (Attendance sheet for regular classes and discussion
groups will be circulated in class).
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Schedule of Classes and Assignments
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September 10 and 12
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Introductions to each
other and to readings and issues: Excerpts from writings by
Gloria Anzaldua, Marilyn Frye, bell hooks, Naheed Islam, Donna
Langston, Audre Lorde, Nancy Mairs, Sucheta Mazundar, Anita
Silvers, and Johnny Tillmon. |
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I. “Women”: Identities, Relationships, Representations
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September 17
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Minnie Bruce Pratt, “Identity: Skin, Blood, Heart,” from
Pratt, Elly Bulkin, and Barbara Smith, Yours in Struggle:
Three Feminist Perspectives on Anti-Semitism and Racism
(1984), 9-64 Please give closest attention to pages 11-41).
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September 19
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Continuation of discussion of Pratt, and also Chandra Talpade
Mohanty, “Defining Genealogies: Feminist Reflections on Being
South Asian in North America,” from Our Feet Walk the Sky:
Women of the South Asian Diaspora, ed. by The Women of
South Asian Descent Collective (1993), 351-358.
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September 24
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Patricia J. Williams, “Owning the Self in a Disowned World,”
The Alchemy of Race and Rights (1991), 181-201 Also,
selections to be distributed in class: Mary Renda, Taking
Haiti (2001), 24-25; Encyclopedia of Contemporary Literary
Theory, ed. I. Makaryk (1993), 535-536; and Teresa
de Lauretis, Technologies of Gender: Essays on Theory,
Film and Fiction (1987), 1-5
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For Sept.
26
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Please write a brief, informal response to the first three
readings (Pratt, Mohanty, Williams) by thinking in terms of
the following question: According to each author, how do people
inhabit the category “women”? (Be sure to consider how, if
at all, race, class, and sexuality shape each author’s account.)
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September
26 and October 1
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Toni Morrison, The Bluest Eye
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October
3
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Gloria. Anzaldua, Borderlands/La Frontera: The New Mestiza,
pp. 23-86.
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October
8
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October Break
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October
10
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Anzaldua, 86-113.
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October
15
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Chandra Talpade Mohanty, “Under Western eyes: Feminist Scholarship
and Colonial Discourses,” Third World Women and the Politics
of Feminism, ed. by Mohanty, Ann Russo, and Lourdes Torres
(1991), 51-88.
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October
17
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Homa Hoodfar, “The Veil in Their Minds and On Our Heads:
The Persistence of Colonial Images of Muslim Women,” The
Politics of Culture in the Shadow of Capital, ed. By Lisa
Lowe and David Lloyd (1997), 248-79.
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October
22
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Kathy Peiss, “Making Faces: the Cosmetics Industry and the
Cultural Construction of Gender, 1890-1930,” Unequal Sisters:
A Multicultural Reader in U.S. Women’s History, ed. by
Vicki Ruiz and Ellen Dubois (2000), 324-345.
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October
24
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Discussion of “Mississippi Masala” (1992), directed by Mira
Nair, 117 min., showings scheduled for Mon. Oct. 22, 4:00
.p.m. in 301 Shattuck, and Tues., Oct. 23, 7:00 p.m. in 202
Skinner Hall.
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October
29
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Reflections on “Identities, Relationships, Representations”:
An opportunity to review issues and themes to date.
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Also
for October 29
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Your first 5 page essay is due in class. Directions will
be distributed in advance
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II. “Women,” “Sex,” “Gender”: Problematic Categories
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October
31
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Rosemarie Tong, “Introduction: The Varieties of Feminist
Thinking,” Feminist Thought: A Comprehensive Introduction
, and Denise Riley, “Does A Sex Have a History?” Feminism
and History, ed. by Joan Wallach Scott (1996), 17-33 (please
pay closest attention to pages 17-21).
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November
5
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Adrienne Rich, “Compulsory Heterosexuality and Lesbian Existence”
, with special attention to pages. 311-317; and Anne Fausto-Sterling,
“The Five Sexes: Why Male and Female Are Not Enough,” The
Sciences (March/April 1993)
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November
7
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Linda Nicholson, “Gender,” A Companion to Feminist Philosophy,
ed. by Alison M. Jaggar and Iris Marion Young (1998), 289-97;
Gayle Rubin, “The Traffic in Women: Notes on the ‘Political
Economy’ of Sex,” Feminism and History, 105-51 (with
special attention to pages 105-110, 114-117, 124-125, 131-37).
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November
12
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Joan Scott, “Gender: A Useful Category of Historical Analysis,”
Feminism and History, 152-80. Mary Renda may join us
for this class.
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November
14
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Judith Butler, “Imitation and Gender Insubordination,” Inside/Outside:
Lesbian Theories, Gay Theories, ed. by Diana Fuss (1991),
13-31, with special attention to pages 18-21.
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November
19
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Second 5-page essay due. Directions will be distributed
in advance.
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III. Violence, Power and Resistance
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November
19
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“Safe: Inside a Battered Women’s Shelter,” (c.2000), directed
by Brad Lichtenstein, 49 min., showings scheduled for Thurs.,
Nov. 5, 7:00 p.m., in 202 Skinner, and Fri., Nov. 16, 4:00
p.m., also in 202 Skinner. Carmen Nieves, from WomanShelter/Companeras,
Holyoke, may join our discussion of “Safe.”
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November
21
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Thanksgiving Break
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On Nov.
26
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We would like once again your observations on how discussions
groups and the class are working. Please bring to class a
brief assessment, commenting again on what you, your facilitator,
and your instructor might do to make discussions and classes
more effective.
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November
26
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J.K. Gibson-Graham, “Beyond Patriarchy and Capitalism: Reflections
on Political Subjectivity,” Transitions: New Australian
Feminism, ed. by Barbara Caine and Rosemary Pringle (1995),
172-83
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November
28
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Anne Fausto-Sterling, “Putting Woman in Her (Evolutionary)
Place,” Myths of Gender: Biological Theories about Women
and Men (1992)
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December
3
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Sharon Marcus, “Fighting Bodies, Fighting Words: A Theory
and Politics of Rape Prevention,” Feminists Theorize the
Political, ed. by Judith Butler and Joan Wallach Scott
(1992)
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December
5
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Carol Cohn, “Wars, Wimps, and Women: Talking Gender and Thinking
War,” Gendering War Talk, ed. by Miriam Cooke and Angela
Woollacott (1993), 227-46.
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Also
for
December 5
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Short paper, or prospectus for 3rd essay, due
in class.
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December
10
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Dorothy Allison, “The Meanest Woman Ever Left Tennessee,
“ “Mama,” and “Don’t Tell Me You Don’t Know,” in Trash
(1988).
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December
12
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Discussion of “Citizen Ruth.” 1997, directed by Alexander
Payne, 105 min., showings scheduled for Mon., Dec. 10, 4:00.p.m.,
in Shattuck 301. and Tuesday, Dec. 11, 7:00.p.m.
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Exam
period
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3rd Essay due. Guidelines will be discussed and
distributed in advance.
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Copyright©2001
Mount HolyokeCollege.
This page is maintained byH.
Garrett-Goodyear.
Page last updated on
September 14, 2001
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