Courtesans

The Fallen Woman Outside of Hugo

Literary Representations
Hugo
Balzac
Lorettes and society

Lower Class Prostitutes and the Law
Representations in Les Miserables
Realities of Authority in Paris
Brothels and Streetwalkers


The Privileged Class: Courtesans

Defining the courtesan
Visual representations
Courtesans in reality

 

Bibliogrpahy

 


Je te donne ma malédiction (I give you my curse), by Delpech, 1827
The archetype of the fallen woman was a common one, not exclusive to Fantine or to Victor Hugo. In this drawing, the French caricaturist and sketch artist Delpech depicts the woman scorned by her family after returning to the country after attempting to make it in the city.


  • It is unclear why the woman was forced to return to her family, but it is very clear that the family is not pleased by the changes they see in their daughter. The small child hides behind the mother, and the other two have obvious looks of scorn and disgust on their faces. Even the kitten seems to be giving the young woman a strange look.

  • The young woman has obviously been shamed. Her eyes are downcast, her back is to her family, and she seems to be heading away from them, as if she has tried to come home and is being sent away again.

  • There is a marked contrast in the styles of dress between the young woman and her family. Her dress is apparently much newer, relatively fashionable, and revealing in comparison to the clothing on the other women depicted. The clothing on the other figures is plain, and clearly designed simply to serve a purpose rather than to be fashionable, unlike the dress of the young woman which is utterly impractical, but much more attractive.

  • The dress of the young woman is obviously out of place with the rather simple surroundings. While this may be her home and she belonged here once, it is clear that she no longer is a part of the world the rural world that she left.

  • The theme of the young man or woman leaving the family country home to make it in the big city, only to return in disgrace, was a favorite one in the popular lithographs of the nineteenth century. (Farwell, 89) During the period it became more and more common for people to move to the city from the country to make their fortunes, most likely because of the harsh economic conditions of the time.