BOOK FIRST. AN UPRIGHT MAN
|
|
|
I. M. Myriel
|
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|
II. M. Myriel becomes M. Welcome.
|
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|
III. A Hard Bishopric for a Good Bishop.
|
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|
IV. Works corresponding to Words.
|
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|
V. Monseigneur Bienvenu made his Cassocks last
too long
|
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|
VI. Who guarded his House for him
|
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VII. Cravatte
|
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VIII. Philosophy after Drinking.
|
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IX. The Brother as depicted by the Sister
|
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X. The Bishop in the Presence of an Unknown Light
|
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XI. A Restriction.
|
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XII. The Solitude of Monseigneur Welcome
|
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XIII. What he believed
|
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XIV. What he thought
|
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BOOK SECOND. THE FALL
|
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I. The Evening of a Day of Walking
|
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|
II. Prudence counseled to Wisdom
|
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|
III. The Heroism of Passive Obedience
|
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|
IV. Details concerning the Cheese Dairies of
Pontarlier
|
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V. Tranquility
|
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VI. Jean Valjean
|
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VII. The Interior of Despair.
|
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VIII. Billows and Shadows.
|
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IX. New Troubles
|
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|
X. The Man aroused.
|
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XI. What he does
|
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XII. The Bishop works.
|
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|
XIII. Little Gervais
|
|
BOOK THIRD. THE YEAR 1817
|
|
|
I. The Year
|
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II. A Double Quartette.
|
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III. Four and Four
|
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IV. Tholomyès is so Merry that he sings a Spanish
Ditty
|
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V. At Bombardas.
|
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VI. A Chapter in which they adore Each Other
|
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VII. The Wisdom of Tholomyès
|
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VIII. The Death of a Horse
|
|
|
IX. A Merry End to Mirth
|
|
|
BOOK FOURTH. TO ENTRUST IS SOMETIMES TO ABANDON
|
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|
I. One Mother meets Another Mother
|
|
|
II. First Sketch of Two Unprepossessing Figures
|
|
|
III. The Lark
|
|
BOOK FIFTH. THE DESCENT
|
|
|
I. The History of a Progress in Black Glass Trinkets
|
|
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II. Madeleine
|
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III. Sums deposited with Laffitte
|
|
|
IV. M. Madeleine in Mourning
|
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|
V. Vague Flashes on the Horizon
|
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|
VI. Father Fauchelevent
|
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VII. Fauchelevent becomes a Gardener in Paris
|
|
|
VIII. Madame Victurnien expends Thirty Francs
on Morality
|
|
|
IX. Madame Victurnien's Success
|
|
|
X. Result of the Success
|
|
|
XI. Christus nos Liberavit.
|
|
|
XII. M. Bamatabois's Inactivity.
|
|
|
XIII. The Solution of Some Questions connected
with the
|
|
|
Municipal Police.
|
|
BOOK SIXTH. JAVERT
|
|
|
I. The Beginning of Rest
|
|
|
II. How Jean can become Champ
|
|
BOOK SEVENTH. THE CHAMPMATHIEU AFFAIR
|
|
|
I. Sister Simplice
|
|
|
II. The Shrewdness of Master Scaufflaire.
|
|
|
III. A Tempest in a Brain
|
|
|
IV. Fo assumed by Suffering during Sleep
|
|
|
V. Clogs in the Wheels
|
|
|
VI. Sister Simplice put to the Proof
|
|
|
VII. The Traveller Arrives and Provides for His
Return
|
|
|
VIII. Admission by Favor
|
|
|
IX. A Place for Arriving at Convictions
|
|
|
X. The System of Denegations
|
|
|
XI. Champmathieu more and more Astonished
|
|
BOOK EIGHTH. COUNTER-STROKE
|
|
|
I. In What Mirror M. Madeleine Looks at his Hair
|
|
|
II. Fantine Happy
|
|
|
III. Javert Satisfied.
|
|
|
IV. Authority Resumes Its Sway.
|
|
|
V. A Fitting Tomb
|
|
|
|
|
Volume II, Cosette
|
|
|
|
|
BOOK FIRST. WATERLOO
|
|
|
I. What You Meet in Coming from Nivelles
|
|
|
II. Hougomont
|
|
|
III. The Eighteenth of June, 1815
|
|
|
IV. A
|
|
|
V. The Quid Obscurum of Battles.
|
|
|
VI. Four o'clock in the Afternoon
|
|
|
VII. Napoleon in a Good Humor.
|
|
|
VIII. The Emperor puts a Question to the Guide
Lacoste
|
|
|
IX. The Unlooked For
|
|
|
X. The Plateau of Mont Saint Jean.
|
|
|
XI. Sad Guide to Napoleon; Good Guide for Bulow.
|
|
|
XII. The Guard
|
|
|
XIII. The Catastrophe
|
|
|
XIV. The Last Square
|
|
|
XV. Cambronne
|
|
|
XVI. Quot Libras in Duce?
|
|
|
XVII. Must We Approve Waterloo?
|
|
|
XVIII. Recrudescence of Divine Right
|
|
|
XIX. The Field of Battle at Night
|
|
BOOK SECOND. THE SHIP ORION
|
|
|
I. Number 24601 Becomes Number 9430
|
|
|
II. In Which a Couple of Lines Will Be Read Which
Came, Perhaps, from the Evil One
|
|
|
III.
Showing that the Chain of the Iron Ring Must Needs Have Undergone
a Certain Preparation to Be Thus Broken by on Blow of the Hammer
|
|
|
BOOK THIRD. FULFILLENT OF THE PROMISE TO
THE DEPARTED
|
|
|
I. The Water Question
at Montfermeil
|
|
|
II. Two Portraits Completed [1]
|
|
|
III. Men must have Wine and Horses Water
|
|
|
IV. A Doll Enters Upon the Scene
|
|
|
V. The Little One All Alone
|
|
|
VI. Which Perhaps Proves the Intelligence of
Boulatruelle [2]
|
|
|
VII. Cosette Side by Side with the Unknown in
the Dark
|
|
|
VIII. The Inconvenience of Entertaining a Poor
Man Who is Perhaps Rich
|
|
|
IX. Thénardier Manoeuvring
|
|
|
X. Who Seeks the Best May Find the Worst
|
|
|
XI. Number 9430 Comes up Again, and Cosette Draws
It
|
|
BOOK FOURTH. THE OLD GORBEAU HOUSE
|
|
|
I. Master Gorbeau
|
|
|
II. A Nest for Owl and Wren
|
|
|
III. Two Misfortunes Mingled Make Happiness
|
|
|
IV. What the Landlady Discovered
|
|
|
V. A Five Franc Piece Falling on the Floor Makes
a Noise
|
|
BOOK FIFTH. A DARK CHASE NEEDS A SILENT HOUND
|
|
|
I. The Zigzags of Strategy
|
|
|
II. It Is Fortunate That Vehicles Can Cross the
Bridge of Austerlitz
|
|
|
III. See the Plan of Paris of 1727[3]
|
|
|
IV. Groping for Escape
|
|
|
V. Which Would Be Impossible Were the Streets
Lighted with Gas[4]
|
|
|
VI. Commencement of an Enigma
|
|
|
VII. The Enigma Continues
|
|
|
VIII. The Enigma Redoubles
|
|
|
IX. The Man with the Bell
|
|
|
X. In Which Is Explained How Javert Lost the
Game
|
|
BOOK SIXTH. PETIT PICPUS
|
|
|
I. Petite Rue Picpus, No. 62
|
|
|
II. The Obedience of Martin Verga [5]
|
|
|
III. Severities [Austerities]
|
|
|
IV. Gaieties
|
|
|
V. Distractions
|
|
|
VI. The Little Convent
|
|
|
VII. A Few Outlines in This Shade[6]
|
|
|
VIII. Post Corda Lapides.
|
|
|
IX. A Century under a Guimp
|
|
|
X. Origin of the Perpetual Adoration
|
|
|
XI. End of the PetitPicpus[7]
|
|
|
|
|
|
I. The Convent as an Abstract Idea
|
|
|
II. The Convent as a Historical Fact
|
|
|
III. Upon What Conditions We Can Respect the
Past
|
|
|
IV. The Convent from the Light of Principle
|
|
|
V. Prayer.
|
|
|
VI. The Absolute Excellence of Prayer
|
|
|
VII. Precautions to be Taken in Censure
|
|
|
VIII. FaithLaw
|
|
|
BOOK EIGHTH. CEMETERIES TAKE THAT WHAT IS
GIVEN THEM
|
|
|
I. Which Treats Of The Manner of Entering The
Convent
|
|
|
II. Fauchelevent in the Presence of a Difficulty
|
|
|
III. Mother Innocent
|
|
|
IV. In Which Jean Valjean Has Quite the Appearance
of Having Read Austin Castillejo
|
|
|
V. It is Not Enough to Be a Drunkard to Be Immortal[9]
|
|
|
VI. In the Narrow House[10]
|
|
|
VII. In Which Will Be Found the Origin of the
Saying: Don't Lose Your Card
|
|
|
VIII. Successful Examination
|
|
|
IX. The Close [Cloistered]
|
|
|
|
|
Volume III, Marius
|
|
|
|
|
|
BOOK FIRST. PARIS ATOMISED[11]
|
|
|
I. Parvalus
|
|
|
II. Some of his Private Marks
|
|
|
III. He is Agreeable
|
|
|
IV. He May Be Useful
|
|
|
V. His Frontiers
|
|
|
VI. A Scrap of History
|
|
|
VII. The Gamin Will Have his Place in the Classifications
of India[12]
|
|
|
VIII. In which the Reader will find a Charming
Saying of the Late King [13]
|
|
|
IX. The Ancient Soul of Gaul
|
|
|
X. Ecce Paris, ecce Homo [14]
|
|
|
XI. Ridicule and Reign [15]
|
|
|
XII. The Future Latent in the People[16]
|
|
|
XIII. Little Gavroche
|
|
|
BOOK SECOND. THE GREAT BOURGEOIS
|
|
|
I. Ninety Years Old and Thirty-two Teeth [17]
|
|
|
II. Like Master, Like Dwelling
|
|
|
III. Luke Esprit [Luc Esprit Gillenormand]
|
|
|
IV. An Inspiring Aspirant
|
|
|
V. Basque and Nicolette
|
|
|
VI. In Which We See La Magnon and Her Two Little
Ones
|
|
|
VII. RuleNever Receive Anybody Except in
the Evening[18]
|
|
|
VIII. Two Do Not Make a Pair
|
|
|
BOOK THIRD. THE GRANDFATHER AND THE GRANDSON
|
|
|
I. An Ancient Salon[19]
|
|
|
II. One of the Red Specters of That Time[20]
|
|
|
III. Requiescant[21]
|
|
|
IV. End of the Brigand [22]
|
|
|
V. The Utility of Going to Mass, to Become a
Revolutionary[23]
|
|
|
VI. What It Is to Have Met a Churchwarden
[24]
|
|
|
VII. Some Petticoat[25]
|
|
|
VIII. Marble against Granite[26]
|
|
|
BOOK FOURTH. THE FRIENDS OF THE ABC
|
|
|
I. A Group Which Almost Became Historic[27]
|
|
|
II. Blondeau's Funeral Oration by Bossuet
|
|
|
III. Astonishments of Marius[28]
|
|
|
IV. The Back Room of the Café Musain
|
|
|
V. Enlargement of Horizon[29]
|
582
|
|
VI. Res Augusta
|
|
|
BOOK FIFTH. THE EXCELLENCE OF MISFORTUNE
|
|
|
I. Marius Needy
|
|
|
II. Marius Poor
|
|
|
III. Marius a Man
|
|
|
IV. M. Mabeuf [30]
|
|
|
V. Poverty a Good Neighbor of Misery
|
|
|
VI. The Supplanter[31]
|
601
|
|
BOOK SIXTH. THE CONJUNCTION OF TWO STARS
|
605
|
|
I. The Nickname: Mode of Formation of Family
Names [32]
|
605
|
|
II. Lux Facta Est[33]
|
607
|
|
III. Effect of the Spring[34]
|
609
|
|
IV. Commencement of a Great Distemper[35]
|
610
|
|
V. Sundry Thunderbolts Fall upon Ma'am Bougon
|
612
|
|
VI. Taken Prisoner [36]
|
613
|
|
VII. Adventures of the Letter U Abandoned to
Conjunctures
|
615
|
|
VIII. Even the Invalides May Be Lucky[37]
|
617
|
|
IX. Eclipse
|
618
|
|
BOOK SEVENTH. PATRON MINETTE
|
621
|
|
I. The Mines and Miners [38]
|
621
|
|
II. The Lowest Depth [39]
|
623
|
|
III. Babet, Gueulemer, Claquesous, and Montparnasse[40]
|
624
|
|
IV. Composition of the Band[41]
|
626
|
BOOK EIGHTH. THE NOXIOUS POOR
|
629
|
|
I. Marius, Looking for a Girl with a Hat, Meets
a Man with a Cap
|
629
|
|
II. A Waif
|
630
|
|
III. Quadrifons [42]
|
632
|
|
IV. A Rose in Misery
|
636
|
|
V. The Judas of Providence [43]
|
642
|
|
VI. The Wild Man in his Lair
|
644
|
|
VII. Strategy and Tactics
|
647
|
|
VIII. The Sunbeam in the Hole
|
650
|
|
IX. Jondrette Weeps Almost
|
652
|
|
X. Price of Public Cabriolets: Two Francs an
Hour
|
655
|
|
XI. Offer of Service by Misery to Grief [Wretchedness]
|
658
|
|
XII. The Use made of M. Leblanc's Five Franc
Piece
|
660
|
|
XIII. Solus cum Solo, in Loco Remoto, Non Cogitabantur
Orare Pater Nester
|
665
|
|
XIV. In which a Police Officer Gives a Lawyer
Two Fisticuffs
|
667
|
|
XV. Jondrette Makes his Purchases
|
670
|
|
XVI.
In Which Will Be Found the Words to an English Air which was in
Fashion in 1832
|
672
|
|
XVII. Use of Marius' Five Franc Piece
|
675
|
|
XVIII. Marius' Two Chairs Face Each Other
|
679
|
|
XIX. The Distractions of Dark Corners
|
680
|
|
XX. The Ambuscade [Trap]
|
683
|
|
XXI. The Victims Should Always be Arrested First
[44]
|
703
|
|
XXII. The Little One Who Cried in Part Second
[Volume II]
|
707
|
Volume IV, Saint Denis
|
|
|
|
711
|
BOOK FIRST. A FEW PAGES OF HISTORY[45]
|
|
|
I. Well Cut[46]
|
711
|
|
II. Badly Sewed [47]
|
715
|
|
III. Louis Philippe
|
718
|
|
IV. Crevices under the Foundation
|
724
|
|
V. Facts from Which History Springs and Which
History Ignores
|
729
|
|
VI. Enjolras and his Lieutenants
|
739
|
BOOK SECOND. EPONINE
|
743
|
|
I. The Field of the Lake
|
743
|
|
II. Embryonic Formation of Crimes in the Incubation
of Prisons[48]
|
747
|
|
III.An Apparition to Father Mabeuf
|
751
|
|
IV. An Apparition to Marius
|
754
|
BOOK THIRD. THE HOUSE IN THE RUE PLUMET
|
759
|
|
I. The House with a Secret [49]
|
759
|
|
II. Jean Valjean as a National Guard
|
762
|
|
III. Folios ac Frondibus [50]
|
765
|
|
IV. Change of Grating [Gate]
|
767
|
|
V. The Rose Discovers That She Is an Engine of
War[51]
|
771
|
|
VI. The Battle Commences [52]
|
775
|
|
VII. To Sadness, Sadness and a Half
|
778[53]
|
|
VIII. The Chain [54]
|
782
|
|
BOOK FOURTH. AID FROM BELOW MAY BE AID FROM
ABOVE
|
791
|
|
I. Wound without, Cure Within
|
791
|
|
II. Mother Plutarque Is Not Embarrassed on the
Explanation of a Phenomenon[55]
|
793
|
|
BOOK FIFTH. THE END OF WHICH IS UNLIKE THE
BEGINNING
|
800
|
|
I. Solitude and the
Barracks
|
800
|
|
II. Fears of Cosette
|
801
|
|
III. Enriched by the Commentaries of Toussaint
|
804
|
|
IV. A Heart under a Stone[56]
|
806
|
|
V. Cosette after the Letter
|
810
|
|
VI The Old Are Made to Go Out When Convenient
|
812
|
BOOK SIXTH. LITTLE GAVROCHE
|
815
|
|
I. The Malevolent Trick of the Wind
|
815
|
|
II. In Which Little Gavroche Takes Advantage
of Napoleon the Great[57]
|
817
|
|
III. The Fortunes and Misfortunes of Escape
|
837
|
BOOK SEVENTH. ARGOT [SLANG]
|
849
|
|
I. Origin
|
849
|
|
II. Roots
|
854
|
|
III. Argot Which Weeps and Argot Which Laughs[58]
|
861
|
|
IV. The Two Duties: To Watch and to Hope [59]
|
865
|
BOOK EIGHTH. ENCHANTMENTS AND DESOLATIONS
|
869
|
|
I. Sunshine
|
869
|
|
II. The Stupefaction of Complete Happiness
|
873
|
|
III. Shadow Commences
|
875
|
|
IV. A Cab Rolls in English and Yelps in Argot
|
878
|
|
V. Things of the Night
|
884
|
|
VI. Marius Becomes So Real as to Give Cosette
His Address
|
885
|
|
VII. The Old Heart and the Young Heart in Presence
|
890
|
BOOK NINTH. WHERE ARE THEY GOING?
|
901
|
|
I. Jean Valjean
|
901
|
|
II. Marius
|
902
|
|
III. M. Mabeuf[60]
|
904
|
BOOK TENTH. JUNE 5th, 1832
|
908
|
|
I. The Surface of the Question
|
908
|
|
II. The Bottom of the Question[61]
|
911
|
|
III. A Burial; Opportunity for Re-birth
|
915
|
|
IV. The Ebullitions of Former Times[62]
|
920
|
|
V. Originality of Paris
|
924[63]
|
|
BOOK ELEVENTH. THE ATOM FRATERNIZES WITH
THE HURRICANE
|
927
|
|
I. Some Insight into the Origin of Gavroche's
PoetryInfluence of an Academician upon That Poetry
|
927
|
|
II. Gavroche on the March
|
929
|
|
III. Just Indignation of a Barber
|
932
|
|
IV. The Child Wonders at the Old Man
|
933
|
|
V. The Old Man
|
935
|
|
VI. Recruits
|
937
|
|
|
939
|
|
I. History of Corinth from Its Foundation
[65]
|
939
|
|
II. Preliminary Gaity
|
943
|
|
III. Night Begins to Gather over Grantaire
|
951
|
|
IV. Attempt at Consolation upon the Widow Hucheloup
|
953
|
|
V. Preparations
|
956
|
|
VI. While Waiting[66]
|
958
|
|
VII. The Man recruited in the Rue des Billettes[67]
|
961
|
|
VIII. Several Interrogation Points concerning
One Le Cabuc, Who Perhaps Was Not Le Cabuc
|
968
|
BOOK THIRTEENTH. MARIUS ENTERS THE SHADOW
|
968
|
|
I. From the Rue Plumet to the Quartier SaintDenis
|
968
|
|
II. ParisAn Owl's View of Paris [68]
|
970
|
|
III. The Extreme Limit
|
972
|
BOOK FOURTEENTH. THE GRANDEURS OF DESPAIR
|
978
|
|
I. The Flag: First Act
|
978
|
|
II. The Flag: Second Act
|
980
|
|
III. Gavroche Would
Have Done Better To Accept Enjolras' Carbine
|
983
|
|
IV. The Kegl of Powder
|
984
|
|
V. End of Jean Prouvaires Rhyme
|
986
|
|
VI. The Agony of Death after the Agony of Life
|
987
|
|
VII. Gavroche as a Profound Calculator of Distances
|
991
|
BOOK FIFTEENTH. THE RUE DE L'HOMME ARME
|
995
|
|
I. Blotter, Babbler
|
995
|
|
II. The Gamin an Enemy of Light
|
1002
|
|
III. While Cosette and Toussaint Sleep
|
1005
|
|
IV. The Excess of Gavroche's Zeal
|
1006
|
|
|
|
Volume V, Jean Valjean
|
|
|
|
|
BOOK FIRST. WAR BETWEEN FOUR WALLS
|
1013
|
|
I.
The Charybdis of the Faubourg Saint Antoine and the Scylla of
the Faubourg du Temple[69]
|
1013
|
|
II. What Is to Be Done in the Abyss But to Talk[70]
|
1019
|
|
III. Light and Darkness
|
1022
|
|
IV. Five Less, One More
|
1023
|
|
V. What Horizon Is Visible from the Top of the
Barricade
|
1029
|
|
VI. Marius Haggard, Javert Laconic
|
1032
|
|
VII. The Situation Grows Serious
|
1033
|
|
VIII. The Gunners Produce a Serious Impression
|
1037
|
|
IX. Use of That Old Poacher Skill and
That Infallible Shot Which Influenced the Conviction of 1796
|
1039
|
|
X. Dawn
|
1041
|
|
XI. The Shot Which Misses Nothing and Kills Nobody
|
1043
|
|
XII. Disorder a Partisan of Order
|
1045
|
|
XIII. Gleams Which Pass
|
1047
|
|
XIV. In Which Will Be Found the Name of Enjolras'
Mistress
|
1049
|
|
XV. Gavroche Outside
|
1051
|
|
XVI. How Brother Becomes a Father
|
1053
|
|
XVII. Mortuus Pater Filium Moriturum Expectat
|
1061
|
|
XVIII. The Vulture Becomes Prey
|
1062
|
|
XIX. Jean Valjean Takes His Revenge
|
1065
|
|
XX. The Dead Are Right and the Living Are Not
Wrong[71]
|
1067
|
|
XXI. The Heroes
|
1074
|
|
XXII. Foot to Foot
|
1078
|
|
XXIII. Orestes Fasting and Pylades Drunk [72]
|
1080
|
|
XXIV. Prisoner
|
1083
|
BOOK SECOND. THE INTESTINE OF THE LEVIATHAN
|
1086
|
|
I. The Land Impoverished by the Sea
|
1086
|
|
II. The Ancient History of the Sewer
|
1089
|
|
III. Bruneseau
|
1091
|
|
IV. Details Ignored
|
1094
|
|
V. Present Progress
|
1097
|
|
VI. Future Progress
|
1098
|
BOOK THIRD. MIRE BUT SOUL
|
1102
|
|
I. The Cloaca and Its Surprises
|
1102
|
|
II. Explanation
|
1107
|
|
III. The Man Spun
|
1108
|
|
IV. He Also Bears His Cross
|
1112
|
|
V. For Sand as Woman, There Is a Fineness Which
Is Perfidy[73]
|
1115
|
|
VI. The Fontis
|
1118
|
|
VII. Sometimes We Get Aground When We Expect
to Get Ashore
|
1120
|
|
VIII. The Torn Coat-Tail
|
1122
|
|
IX. Marius Seems to Be Dead to One Who is a Good
Judge
|
1126
|
|
X. Return of the Prodigal Sonof His Life
|
1130
|
|
XI Commotion in the Absolute
|
1131
|
|
XII. The Grandfather
|
1133
|
BOOK FOURTH. JAVERT OFF THE TRACK
|
1138
|
|
I. Javert off the Track
|
1138
|
BOOK FIFTH. GRANDSON AND GRANDFATHER
|
1148
|
|
I. In Which the Tree with Plate of Zinc Plaster
Once More
|
1148
|
|
II. Marius, Escaping from Civil War, Prepares
for Domestic War
|
1151
|
|
III. Marius Attacks
|
1151
|
|
IV. Mademoiselle Gillenormand at Last
Thinks It not Improper That Monsieur Fauchelevent Should Come
With Something Under His Arm
|
1157
|
|
V. Deposit Your Money Rather in Some Forest Rather
than with Some Notary
|
1162
|
|
VI. The Two Old Men Do Everything, Each
in His Own Way, That Cosette May Be Happy
|
1163
|
|
VII. The Effects of Dreams Mingled with Happiness
|
1169
|
|
VIII. Two Men Impossible to Find
|
1171
|
BOOK SIXTH. THE WHITE NIGHT
|
1176
|
|
I. The 16th of February, 1883[74]
|
1176
|
|
II. Jean Valjean Still Has His Arm in a Sling
|
1184
|
|
III. The Inseparable
|
1191
|
|
IV. The Immortal Jecur [Liver]
|
1193
|
BOOK SEVENTH. THE LAST DRAUGHT FROM THE CUP
|
1198
|
|
I. The Seventh Circle and the Eighth Heaven
|
1198
|
|
II. The Obscurities Which a Revelation May Contain
|
1212
|
BOOK EIGHTH. THE TWILIGHT WANE
|
1219
|
|
I. The Basement Room
|
1219
|
|
II. Other Steps Backward
|
1223
|
|
III. They Remember the Garden of the Rue Plumet
[75]
|
1225
|
|
IV. Attraction and Extinction
|
1229
|
BOOK NINTH. SUPREME SHADOW, SUPREME DAWN
|
1231
|
|
I. Pity for the Unhappy, but Indulgence for the
Happy
|
1231
|
|
II. The Last Flickerings of the Exhausted Lamp
|
1233
|
|
III. A Pen Is Heavy to Him Who Lifted Fauchelevent's
Cart
|
1234
|
|
IV. A Bottle of Ink Which Serves Only to Whiten
|
1236
|
|
V. Night Behind Which Is Dawn
|
1252
|
|
VI. The Grass Hides and Rain Blots Out
|
1260
|