|
|
| Le
Mandat |
Aje, S. O. "L'Importance de l'ecriture en
tant qu'institution sociale dans L'Argent (Emile Zola),
Le roi des Aulnes (Michel Tournier) et Le mandat
(Ousmane Sembene)." Neohelicon, 16, 1 (1989): 237-255 |
| Xala |
Bayo, Ogunjimi. "Ritual Archetypes: Ousmane's
Aesthetic Medium in 'Xala'" Ufahamu, 14, 3 (1985):
128-138.
Gabriel, Teshome H. “Xala A cinema of wax and gold”.
Jump Cut 27 (July, 1982): 31-33
Jump Cut: A Review of Contemporary Media 1982, 2005 <http://www.ejumpcut.org/archive/onlinessays/JC27folder/XalaGabriel.html>.
(originally appeared in Presence Africaine 116 in French).
Iyam, David Uru. “The Silent Revolutionaries: Ousmane Sembene's Emitai,
Xala and Ceddo”. African Studies Review 29.4, (Dec., 1986): 79-87.
Landy, Marcia. “Political Allegory and « Engaged Cinema »:
Sembene's « Xala »”. Cinema Journal 23.3 (Spring, 1984): 31-46.
Lyons, Harriet D. “The Uses of Ritual in Sembene’s Xala”.
Canadian
Journal of African Studies 18.2 (1984): 319-328.
Mushengyezi, Aaron. "Reimaging Gender and African Tradition?
Ousmane Sembene's Xala revisited".
Africa Today 51.1 (Fall 2004): 47-62.
Pfaff, Françoise. "Three faces of Africa: Women
in Xala". Jump Cut 27 (July, 1982): 27-31
Jump Cut: A Review of Contemporary Media 1982, 2005 <http://www.ejumpcut.org/archive/onlinessays/JC27folder/XalaPfaff.html>.
|
| Ceddo |
Cancel, Robert. "Epic Element in 'Ceddo.'"
Current Bibliography on African Affairs, 18, 1 (1985-19860:
3-19.
Iyam, David Uru. “The Silent Revolutionaries: Ousmane
Sembene's Emitai, Xala and Ceddo”. African Studies
Review 29.4, (Dec., 1986): 79-87. |
| Presence
Africaine |
Cham, Mbye Baboucar. "Art and Ideology in
the Work of Ousmane Sembene and Haile Gerima." Presence
Africaine, 129, 1 (19840: 79-91. |
| Le
docker noir |
Feuser, Willifried F. "Richard Wright's
Native son and Ousmane Sembene's Le dockeer noir." Komparatistische-Hefte,
14 (1986): 103-116.
Thomas, Dominic Richard David. “Intertextuality, Plagiarism,
and Recycling in Ousmane Sembene's Le docker noir (Black
Docker)”. Research in African Literatures 37.1 (Spring
2006): 72-90. |
| Les
bouts des bois de Dieu |
Aguiar, Marian. “Smoke
of the Savannah: Traveling modernity in Sembene Ousmane's
God's Bits of Wood”. MFS Modern Fiction Studies 49.2
(2003): 284-305.
Aire, Victor O. “Didactic Realism in
Ousmane Sembene's Les Bouts de Bois de Dieu”. Canadian
Journal of African Studies 11.2: (1977): 283-294.
Aire, Victor O. “Ousmane Sembene's « Les bouts de bois de Dieu »:
A Lesson in Consciousness”. Modern Language Studies 8.2: (Spring, 1978):
72-79.
Camara, Arthur Hindovei. “God's Bits of Wood/ Les bouts de bois de Dieu”.
Colonial and Postcolonial Literary Dialogues. July, 2001. Western Michigan
University. 6 May 2002. <http://www.wmich.edu/dialogues/texts/godsbitsofwood.htm>.
Case, F. "Workers Movements: Revolution and Women's Consciousness in
God's Bits of Wood". Canadian Journal of African Studies 15.2 (1981):
277-292.
Cooper, Frederick. "« Our Strike »: Equality, Anticolonial
Politics and the 1947-48 Railway Strike in French West Africa”. The Journal
of African History 37.1 (1996): 81-118.
Gillard, Garry. “Handling of action”. Formal Aspects of Fictive
Narrative in Africa. Murdoch University, Australia. 5 Aug. 1996. <http://wwwstaff.murdoch.edu.au/~gillard/AfrNarr/ch4.html>.
(MPhil dissertation, Murdoch University, 1977).
Gyasi, Kwaku Addae. "From God's Bits of
Wood to Smouldering Charcoal : Decolonization, Class Struggle,
and the Role of Women's Consciousness in Postcolonial West
Africa". French Colonial History 5 (2004): 173-191.
Harrow, Kenneth W. “Art and Ideology in Les Bouts de bois de Dieu: Realism's
Artifices”. The French Review 62.3 (Feb., 1989): 483-493.
Jones, James A. “Fact and Fiction in God’s Bits of Wood”.
Research in African Literatures 31.2 (Summer 2000): 117-131.
Linkhorn, Renée. “L'Afrique de Demain: Femmes en marche dans l'oeuvre
de Sembene Ousmane”. Modern Language Studies 16.3 (Summer, 1986): 69-76.
Murphy, David. Sembene: Imagining Alternatives in Film and Fiction.
James Currey, 2000.
Oje, S. Ade. Revolt, "Violence and Duty in
Ousmane Sembene's God's Bits of Wood." Nigeria Magazine,
53, 3 (July-September 1985): 58-68.
Sacks, Karen. “Women and Class Struggle in Sembene's « God's
Bits of Wood »”. Signs 4.2 (Winter, 1978): 363-370. |
| Emitai |
Iyam, David Uru. “The Silent Revolutionaries:
Ousmane Sembene's Emitai, Xala and Ceddo”. African
Studies Review 29.4, (Dec., 1986): 79-87.
Peter's, Jonathan A. "Aesthetics and Ideology
in African Film: Ousmane Sembene's 'Emitai.'" African
Literature in Its Social and Political Dimensions, ed.
Eileen Julien, Mildred Mortimer, and Curtis Schade. Washington:
Three Continents Press (1986): 69-75.
Steven, Peter. “The Classic. Emitai... being the first
dramatic film of the liberated sub-Saharan cinema”.
Reviews. 1996. New Internationalist. <http://www.newint.org/issue276/reviews.htm>. |
Camp
de Thiaroye |
Echenberg, Myron. “« Morts Pour la France »;
The African Soldier in France During the Second World War”.
The Journal of African History 26.4 World War II and Africa
(1985): 363-380.
Leahy, James. “Camp de Thiaroye”. Senses of Cinema. 1989, 2003. <http://www.sensesofcinema.com/contents/cteq/03/28/camp_de_thiaroye.html>. |
La
noire de... |
Landy, Marsha. "Politics and style in Black Girl".
Jump Cut 27 (July, 1982): 23-25
Jump Cut: A Review of Contemporary Media 1982, 2005 <http://www.ejumpcut.org/archive/onlinessays/JC27folder/BlackGirlLandy.html>.
Linkhorn, Renée. “L'Afrique de Demain: Femmes
en marche dans l'oeuvre de Sembene Ousmane”. Modern
Language Studies 16.3 (Summer, 1986): 69-76
Pallister, Janis L. “From « La Noire de... » to « Milk
and Honey »: Portraits of the Alienated African Woman”. Modern
Language Studies 22.4 (Autumn, 1992): 76-87
Spass, Lieve. “Female Domestic Labor and Third World Politics in La Noire
de…” Jump Cut 27 (July, 1982): 26-27. Jump Cut: A Review of Contemporary
Media. 1982, 2005. <http://www.ejumpcut.org/archive/onlinessays/JC27folder/BlackGirlSpaas.html>. |
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