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Past
Exhibitions
In
Present Company: The 1960s and Beyond
3 September–18
December 2005

Christopher Wilmarth
Gnomon’s Parade (Late)
© Christopher Wilmarth, Courtesy Betty Cuningham Gallery, New York
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Artist Frank
Stella’s 1966 statement about his work, “What you see is what
you see,” has become the unofficial slogan of minimalism, the American-born
movement that emerged in the 1960s. Minimalist artists often—though
certainly not always—are sculptors concerned with reducing form to
its utmost simplicity. Opposed to any type of illusionism, they work with
flat surface colors, factory finishes, and industrial materials. The minimalists
featured in this exhibition, such as Carl Andre, Dan Flavin, and Donald Judd,
intended to create works of art that would be the sole occupants of their
presentation space—creating a self-referential environment. In
Present Company demonstrates that sculptures by these artists also have
the capacity for eloquence in the context of a mutual exchange with works
that engage similar concerns of literalism as well as more personal, perhaps
even symbolic, associations. The assertion that minimalist work presents
itself in its entirety, that it is apprehended only in the purity of its
form, minimizes the complexities of experiencing these art objects.
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