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Past
Exhibitions
Witnessing
the Nuremberg Trials: Photographs by Raymond D'Addario
3
February28 March 2004
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Raymond
D'Addario
(American, b. 1920)
The Defendants
Gelatin silver print photograph, 1945
Courtesy of the artist
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On the first day of the
Nuremberg Trials in November 1945, twenty-one major Nazi officials
took their seats in the rear of the draped and dark-paneled room
of the Palace of Justice to face their indictments. The moment
marked the first time that an International Military Tribunal
(IMT) would call for an individual accounting of and punishment
for conspiratorial and criminal actions committed against the
Jews and others before and during a war. There to record the scene--
and so many others during the subsequent months-- was twenty-six-year-old
Army photographer Raymond D'Addario of Holyoke, Massachusetts.
A selection of his images are presented. D'Addario, who still
lives in Holyoke where he continued to work as a photographer,
and guest curator Liz Sommer, assistant curator of art at the
Springfield Library and Museum Association, will be at the museum
for a gallery talk on February 19 at 4:00 p.m. A reception will
follow.

Raymond D'Addario
(American, b. 1920)
Devastation
of Nuremberg after the Allied bombings
Gelatin silver print photograph, 1945-46
Courtesy of the artist
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It was D'Addario's job,
as chief of a handful of Army photographers receiving the assignment
to Nuremberg, to prepare news coverage for the war crimes trials.
He observed on a daily basis—from November 1945 until October
1946—the two rows of defendants, including Hermann Goering,
Rudolf Hess, and Joachim von Ribbentrop, making them forever part
of the historic record. His stirring images, which have been distributed
worldwide in magazines, books and newspapers, also capture the
judges and prosecutors from the four victorious nations, the defense,
and a variety of witnesses as well as the almost total devastation
of Nuremberg itself by the Allied Forces before the end of the
war. Despite the IMT's restrictions against the use of flash bulbs
in the courtroom, D'Addario's imagery, mostly in black and white,
is outstanding.
Raymond D'Addario
(American, b. 1920)
Joachim
von Ribbentrop during his testimony
Gelatin silver print photograph, 1945-46
Courtesy of the artist |
"They
are amazing, moving, fascinating photographs of a trial that continues
to generate discussion more than fifty years later," says
museum director Marianne Doezema. "The detailed evidence
presented at Nuremberg without doubt forever recorded the ghastly
atrocities committed against humanity in Europe. Certainly, the
Nazi leaders were punished. But the trials did not end wars of
heinous aggression, and sadly have not put an end to genocide,
as evidenced most recently with atrocities perpetrated by leaders
in the Balkans and Iraq. Mr. D'Addario's images offer a sober
reminder of lessons our world must never forget."
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