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Newsletter
- Fall 2000
Future
Exhibitions
The American
Collection Travels
Immediately
after the museum's galleries closed in June 2000, the staff began the complex
task of packing the entire collection of 13,000 objects and preparing to move
it out of the museum in order to ensure its safety while construction work is
underway. Several thousand objects will be put in storage, but certain components
of the collection will be lent to other institutions (see the article about
the medieval and early Renaissance collection at Boston College, see Exhibition
page). Arrangements have been made with the Colby College Museum of Art in Waterville,
Maine, to store a large group of American paintings and sculpture. In connection
with this loan, plans are underway for a special exhibition focusing on Mount
Holyoke's strong American holdings. Featured objects will include Albert Bierstadt's
Hetch Hetchy Canyon, which was among the college's first art acquisitions.
The painting was acquired to celebrate the opening in 1876 of what was then
the new art gallery in Williston Hall. Hetch Hetchy Canyon was a gift
from the wives of two trustees, who purchased the painting only a year after
Bierstadt completed it. The trustees and faculty recognized as early as the
1870s that a school of the caliber of Mount Holyoke should provide for development
of aesthetic appreciation, in addition to the study of math, science, and English,
and Mount Holyoke was among the first American colleges to offer formal classes
in art history.
Since 1876, the museum's American collection
has been enriched by a number of important gifts and purchases. Only a decade
following the acquisition of Hetch Hetchy Canyon, another significant
American landscape painting came to the museum. George Inness' Saco Ford:
Conway Meadows is now the painting most frequently requested for loan by
other institutions. The museum's holdings of twentieth-century art were enhanced
when financier Roy Neuberger contributed 19 paintings between 1953 and 1963,
including a stunning portrait by Robert Henri, Annie Lavelle, and Milton
Avery's Discussion. New York art dealers David and Renée McKee have given
or facilitated the gift of a number of important modern and contemporary paintings
to the museum that will be shown at Colby, including works by Philip Guston,
Katherine Porter, and Sean Scully.
Sculpture in the Colby show will range
from Hiram Power's neoclassical head entitled Faith to Isamu Noguchi's
Strange Bird, which reflects both the biomorphism of the European Surrealists
and the spatial conceptions of Cubism.
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