From Mont Blanc to Mount Holyoke: Bradford Washburn to Speak March 7

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Bradford and Barbara Washburn on the summit of 10,000 foot Mount Bertha (Alaska) on the occasion of its first ascent July 31, 1940. It was their first major climb together, taking place almost exactly three months after their wedding on April 27, 1940.

 

photo by Thomas Winship

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Bradford Washburn, who will deliver a talk at the College March 7, in Fairbanks, Alaska, 1936. He is pictured with his 53-pound Fairchild K-6 camera at the time of the first large-format photographic flights over and around 20,000-foot Mount McKinley for the National Geographic Society.

 

detail of photo by Bob Reeve
Bradford Washburn, mountain photographer and honorary director of the Museum of Science in Boston, will give a lecture titled "Reminiscences, McKinley--Matterhorn--Everest" Tuesday, March 7, at 7 pm, at Gamble Auditorium. The talk is part of a series of lectures in conjunction with the Mount Holyoke Art Museum's exhibition of images by nineteenth-century Italian pioneer Vittorio Sella, Summit: Vittorio Sella, Mountaineer and Photographer, which runs through March 10.

"Sella was definitely my first inspiration in mountaineering photography," Washburn said in an interview with Antony Decaneas, editor of Bradford Washburn: Mountain Photography, published last year by The Mountaineers. Characterized as a "roving genius of mind and mountains" by Ansel Adams, Washburn, a native New Englander, traveled the world for eight decades, documenting sites from the Grand Canyon to the Alps, and from Mount McKinley to Mount Everest. He served as director of the Boston Museum of Science for forty years and produced award-winning maps as an expert cartographer. He is also credited with pioneering research in the areas of aerial film, wireless communications, cold-weather search and rescue procedures, and survival techniques for the United States Army Air Forces.

Bradford Washburn: Mountain Photography, a striking chronicle of Washburn's accomplishments, includes one hundred black-and-white images, featuring aerial photographs, picture essays of early Alaskan expeditions-- supply caches, camp conditions, and portraits of fellow climbers and natives--and dramatic geological portraits highlighting earth's upheavals, erosions, and the slow trek of glaciers.

Washburn's father was the dean of an Episcopal theological school in Cambridge, and his mother was an amateur photographer who gave him his first tiny box camera when he was thirteen. Hay fever inspired his earliest journeys into the higher altitudes, and at sixteen, he made his first alpine climb, on Mont Blanc. One year later, Washburn published his first book, Among the Alps with Bradford (1927). His fascination with alpine exploration followed the previous century's Romantic obsession with the grandeur and danger of the Alps. Vittorio Sella's dramatic shots of the Mount Saint Elias Expedition of 1897, led by the Duke of Abruzzi, were some of Washburn's first inspirations. In 1926 Washburn attended a presentation by the photographer of Mallory's expedition to Everest, Captain John Noel, one of the last people to see Mallory alive. Washburn remarks that this event "got me seriously interested in Everest and in the photography of high mountains."

Washburn has modestly said of his work, "Some of my best pictures were accidents or just plain good luck." His accomplishment as an artist, however, is well noted. As Stan Trecker, dean and director of the Art Institute of Boston, has said, "The depth and power of his vision and mind . . . have made him a major fixture in twentieth-century photography."

Retired since 1980 and now nearly ninety, Washburn's energy has not waned. Within the past three months he traveled with his wife, Barbara Washburn, to Alaska, and he still puts in full days at the Boston Museum of Science. "In the twilight of my life I would like to stay at the cutting edge by constantly working with young people and offering them my assistance, if that is possible," he said in an interview with Decaneas. "I like dealing with young people; it keeps you looking ahead and feeling young."

 

 

 


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