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March 21, 2003

Musicologist Crawford to Visit MHC

Richard Crawford

Richard Crawford, Hans T. David Distinguished University Professor of Music at the University of Michigan and Five College musicologist-in-residence March 24–28, will deliver two public lectures during his weeklong visit to the Five Colleges. On Tuesday, March 25, Crawford will present a talk titled “Musicology and the Jazz Voice: A Personal Inquiry” at 8 pm in the Early Recital Hall of Smith College’s Sage Hall. On Friday, March 28, he will present a lecture called “A Foggy Day?: Problems in Gershwin’s Biography” at 7 pm in the Warbeke Room of Mount Holyoke’s Pratt Hall. Following that lecture at 8:15 pm, Mark Gionfriddo, director of MHC’s Jazz Ensembles, and Professors of Music Gary Steigerwalt and Melinda Spratlan will join other Five College music faculty members in a concert of music by George Gershwin in Pratt Hall’s McCulloch Auditorium.

Crawford will also speak in classes on all five campuses. At Mount Holyoke, he will join History of Western Music II on March 27. “Richard Crawford is a prolific writer on a wide variety of subjects pertaining to American music and musicians. For the past decade he has been the propelling force behind and editor-in-chief of the series of scholarly editions published as Music of the United States of America; last December his recent book, America’s Musical Life, A History, won an ASCAP [American Society of Composers, Authors and Publishers] Deems-Taylor Award. More than any other music historian, he has brought about a significant change in the perception, availability, and evaluation of American music, in all its diversity.” said Professor of Music Louise Litterick, MHC’s representative on the Five College residency committee.


Crawford’s musicological work includes several studies of American music— from Native American traditions, to the contributions of European colonizers and African slaves, to the development of jazz and rock. His publications include America’s Musical Life: A History and The American Musical Landscape, a collection of lectures he delivered as Bloch Professor of Music at the University of California at Berkeley that argue for the recognition of the distinct and vital character of American music. He has also published several award-winning studies of early American sacred music. The subjects of his numerous articles include George Gershwin, Edward MacDowell, popular song of the nineteenth and twentieth centuries, and black music and jazz.

 

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