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March 28, 2003

The Many Meanings
of Things in Robert Shaw's Solving for X

Following the ubiquitous symbol x from mathematician's chalkboard, to Christian mosaic, to railroad crossing and beyond in his poem "Solving for X," MHC Professor of English Robert Shaw asks, "Protean emblem, how to pin you down?" The poem, which appears at the midpoint of Shaw's latest book, Solving for X (Ohio University Press 2002), presents an idea as central to Shaw's new collection as it was to his earlier works The Wonder of Seeing Double (1988) and Below the Surface (1999)—the idea that even the most familiar things carry multiple meanings.


Just as x conveys many cultural, linguistic, and mathematical meanings, a simple shirt conveys multiple truths about human nature in "Buyer's Remorse." A too-formal shirt that "mopes" in the closet, unworn and out of place among its "humbler neighbors," is as much a symbol of human error as it is a reminder of life's possibilities—of "another life / one might have had (or still might), / waiting to be tried on."
Similarly, annual catalogue orders for spring flowers—placed despite weeds, pests, and "perennially slipshod husbandry"—signify both human folly and, at the same time, an endearing and enduring hopefulness in "Seed Catalogues in Winter."


In "Making Do," Shaw scrutinizes a bootlace that lifts a piano pedal, onions that replace "seldom-bought shallots," and the "spiderweb of circuitry" that covers basement ceilings. Such repairs and replacements by "clueless amateurs" deserve the scorn of "well-equipped professionals," he concedes, but they also suggest something honorable, even heroic, about people doing the best they can with what is at hand. "Making do, we don't always do badly," he concludes.


"Shaw's images repeatedly surprise," says Mary Jo Salter, Emily Dickinson Senior Lecturer in the Humanities, "for instance, the hammer and nails of a man tacking up a Christmas garland, which metamorphose into 'Instruments of the Passion'. . . . When Shaw finds, at the bottom of a wishing well, a 'copper-scaled leviathan,' I find myself wishing I'd thought of that—and of so much else in this excellent book."


While Solving for X shares the themes, compact language, and formal versification of Shaw's earlier collections, its poems range broadly in tone. Several are elegiac tributes to people and places that have been lost, such as four western Massachusetts towns razed to create the Quabbin Reservoir ("Drowned Towns"), all memory of a former student ("Letter of Recommendation"), and an irritating colleague who leaves a "present absence" after his sudden death ("Out of Character").

Many others are humorous, even satirical. "Maybe my sense of absurdity is getting sharper, as happens as people get older," says Shaw, "but I do think satire can be constructive."


In "Anthology Piece," for example, an overanthologized poem speaks for (and about) itself. A series called "Ten Epigrams" includes such playful couplets as "Reception After the Reading": "After prolonged obeisance to Apollo / a nod to Dionysus ought to follow."


"Anthology Piece" isn't the only poem about the process and business of writing poetry. A poet called from his writing desk to rescue a kitten finds an elusive final word high in a tree in "The End of the Sonnet." In "Espalier," a fruit tree thriving on a "crucifying" trellis mirrors the way a poet's words "spread to the light" within the restraints of versification. "Remainders" describes the experience of seeing piles of literary masterpieces discounted to $3.98 for the remainder shelf.


"The more you publish, the more experience you have with the commercial life of books and with the strains and embarrassments of the profession of writing," says Shaw of his poems about poetry. "Fortunately, 'Remainders' is not a personal experience of mine, and I have enjoyed plenty of encouragement at Mount Holyoke and in the Pioneer Valley. For me it is not particularly hard to keep on writing."

In addition to poetry, Shaw is currently working on a number of critical pieces, including a review of the collected poems of Robert Lowell, who was one of his teachers at Harvard University.


Shaw will read from Solving for X, winner of the Hollis Summers Poetry Prize, at the Odyssey Bookshop on Tuesday, April 1, at 7 pm.

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