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April is Not the Cruelest Month for Glascock Poet Foran '02
When Kathryn Foran '02 was in second grade, her rhyming poem about
spring was read over the intercom to her entire elementary school.
Today, fourteen springs later, her maturity as a poet, and her nerves,
are being put to the test in a more challenging venue. As a contestant
in the seventy-eighth annual Kathryn Irene Glascock Intercollegiate
Poetry Competition at MHC, her work will be judged by a panel of three
distinguished American poets. The American studies major will represent
Mount Holyoke, competing against five students from Amherst College,
Bryn Mawr College, Emory University, Johns Hopkins University, and
Smith College Friday, April 20, at 8 pm in Gamble Auditorium. Poets April Bernard, John Peck, and Alastair Reid, who will judge
Foran's work, will also participate in "Life and Letters: Conversations
with the Judges" in the Stimson Room at Williston Library Friday,
April 20, at 3 pm. They will read from their own work and announce
the contest winner Saturday, April 21, at 10:30 am in the New York
Room, Mary Woolley Hall. The MHC community is welcome to attend all
events free of charge. Foran transferred to MHC from Manchester Community College (MCC)
in Connecticut and is now completing her first year at MHC. She studied
poetry in the fall semester with Robert Shaw, poet and professor of
English, and took her first college creative-writing class at MCC
with Stephen Straight, professor of English, whom she considers her
first poetry mentor. In 1999, Foran was honored as a Connecticut Student
Poet. She and five others participated in a statewide reading tour.
She has also seen her work in print in several small poetry journals.
It was a surprise and a delight, she says, to be selected for the
Glascock contest. To be a part of the Glascock tradition is
incredible. It was a big deal for me to submit my work. I really didn't
think I had a shot. Glascock has, in fact, launched the careers
of some of the twentieth century's most celebrated poets. Sylvia Plath,
Donald Hall, James Merrill , Kenneth Koch, Katha Pollitt, and Gjertrud
Schnackenberg were all Glascock winners. Schnackenberg won two years
in a row for MHC (1974 and 1975), and Mary Jo Salter, Emily Dickinson
Lecturer in the Humanities, took second place in 1976. The Glascock contest began in 1923 with a memorial gift from the
parents of a member of the class of 1922 who died shortly after graduating.
After one year as an event at MHC, it became an intercollegiate contest.
Students are invited from a roster of four to six colleges that changes
each year, with MHC holding a permanent place in the contest. Past
judges have included W. H. Auden, May Sarton, Elizabeth Bishop, Louise
Bogan, Robert Frost, Sylvia Plath, John Crowe Ransom, Denise Levertov,
William Carlos Williams, James Merrill, Adrienne Rich, and many others. Glascock continues with a distinguished panel of judges for 2001.
Bernard received the Walt Whitman Award for her first book of poems,
Blackbird Bye Bye, in 1988. Her second collection, Psalms, appeared
in 1993, and she has also published a novel, Pirate Jenny. Peck is
the author of Shagbark, The Broken Blockhouse Wall (for which he received
a Prix de Rome prize), M and Other Poems, and Poems and Translations
of Hi-Lo. He has taught at Mount Holyoke (19771983) and Princeton
University. Reid, who was born in Scotland, is a staff writer for
the New Yorker, where he contributes poems, reviews, translations,
and reportage. Noted for his translations of Pablo Neruda and Jorge
Luis Borges, he is also the author of To Lighten My House; Oddments
Inklings Omens Moments; Passwords; and Weathering (his selected poems). While Foran says she does not have "lofty aspirations" in the poetry world, writing has been an important part of her life. She was an obsessive journal writer as a teen, putting pen to paper as a "coping tool." Her favorite poets include Billy Collins, Jane Kenyon, Czeslaw Milosz, and Mary Oliver. Writing poetry allows her to "see the connections between things," she says. "I like metaphor as a way of appreciating the world around me." She relies on "imagery from the natural world and flights of imagination." But her instincts tend to be intuitive. "I like trying to take an idea and run with it. I never know how successful I will be, but that's what I enjoy doing." |
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