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November 22, 2002

Visual Studies Series Continues with Michael Taussig

Distinguished anthropologist and Columbia University professor of anthropology Michael Taussig, whose work has ranged widely, from the history of African slavery, abolition in western Colombia, and popular manifestations of the working of commodity to fetishism, the sociology of malnutrition, and the impact of colonialism on shamanism and folk healing, will be the next speaker in The Culture and Nature of the Visual, the College's yearlong public lecture series focusing on visual literacy. Taussig, who has also explored the relevance of modernism and postmodernist aesthetics for the understanding of ritual, especially shamanic healing; the making, talking, and writing of terror; and mimesis in relation to sympathetic magic, state fetishism, and secrecy, will give a lecture titled "The Language of Flowers: An Approach to Representations of Violence and the Aesthetics of Cruelty" Thursday, December 5, at 4:30 pm in the art building's Gamble Auditorium. A reception will follow. The lecture, along with a related faculty seminar, is cosponsored by the Office of the Dean of Faculty and the Weissman Center for Leadership.

Says series coorganizer Debbora Battaglia, professor of anthropology, "Michael Tuassig is a pioneering force in anthropology and performance studies. His exploration of magical imagery as a technology of the colonial state in Latin America has earned him a reputation as one of the most innovative thinkers on the politics and aesthetics of inequality writing in any field today."

After earning a degree in medicine from the University of Sydney, Australia, in 1964 and working for a year as a house physician in the university's main teaching hospital and later in general practice for six months, Taussig pursued a master's degree in sociology at the London School of Economics. At the same time, he worked as a psychiatric resident in mental hospitals in and around London. He was appointed research fellow at the Institute of Latin American Studies of London University in 1969 and began fieldwork on the Violencia in Colombia, South America, which formed the basis of his doctoral dissertation on the sociocultural impact of the commercialization of agriculture, (published in 1975 as Esclavitud y libertad en el valle del rio Cauca).

Taussig has done fieldwork in Colombia and Venezuela and has taught at institutions of higher learning around the world. He has published numerous articles, written and publicly performed two scripts, and received many honors, including fellowships from the Guggenheim Foundation and the American Council of Learned Societies. Since 1975 he has published six books (four in English, two in Spanish). His publications include The Devil and Commodity Fetishism in South America (University of North Carolina Press, 1980); Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing (University of Chicago Press, 1987); The Nervous System (Routledge, 1992); Mimesis and Alterity: A Particular History of the Senses (Routledge, 1993); The Magic of the State (Routledge, 1997); and Defacement (Stanford University Press, 1999).

Three lectures in the visual studies series are being planned for next semester. On February 27, Nina Felshin, adjunct lecturer in art history at Wesleyan University, will give a talk titled "Ways of Thinking: Reading the Visual." On April 24, James Young, professor of English and chair of Judaic studies at the University of Massachusetts, Amherst, will give a lecture titled "Polemic in the Spaces of Public Memory." The final lecture of the series will be May 8, when M. J. T. Mitchell, professor of art history and English at the University of Chicago's Cochrane-Woods Art Center will speak on the topic "Living Color: The Animation of Racial Stereotypes in Spike Lee's film Bamboozled."
 

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