Offstage, visiting artist in dance Clara Mora Chinoy is petite, relaxed, and soft-spoken. But onstage, the acclaimed flamenco artist seems larger than life, crackling with energy as her heels beat the complex rhythms of Spanish dance. Seeing the intense "gypsy gaze" peculiar to the flamenco style, you'd think she was a native Spaniard who grew up with the dance form. In fact, she was raised in Northampton and studied Indian dance for years before learning flamenco.
After more training, she joined the company of Ramon de los Reyes, even leaving early from one Harvard exam to perform. Since then, she's toured the world with top Spanish dance companies, choreographed, and taught in Spain and at many U.S. colleges. She is also conducting anthropological research for a dance-theater piece based on the life stories of Gypsy women. "Their flamenco verses talk about women's experiences in a visceral and universal way," she says.
Mora says teaching flamenco to Americans is challenging. "The rhythms are hard and not familiar. The accents are uneven and constantly changing; and you have to do very different kinds of movement with your hands and arms than with your feet." And what of her own feet, which take a beating from flamenco's staccato stamping? Mora laughs, "My feet don't hurt ... but everything else does!" It's all necessary to meet her goal. "Though flamenco has become very showy and technical, it's a form of dance and music that should speak from the soul."