Pioneer of Alpine Photography Featured in Museum Show

 

 

AL518 (grayscale)

Sella (grayscale)

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These photographs by Italian alpinist-photographer Vittorio Sella are part the exhibition Summit: Vittorio Sella, Photographer and Mountaineer, which opens at the Mount Holyoke College Art Museum January 29. (Top left) Crevasse on the Glacier Blanc, Alps, 1888; (top middle) Portrait of Vittorio Sella at Fifty in the Karakoram, 1909; (top right) Camp Below the West Face of K2, Karakoram,1909 .

Wendy Watson (left), Mount Holyoke College Art Museum curator, has organized an exhibition of original black and white images made between 1879 and 1909 by the acclaimed Italian alpinist-photographer Vittorio Sella. The show will open at the MHC art museum January 29. Watson coauthored an award-winning book, Summit, which will accompany the show.

 

Moving the world's mountains to Mount Holyoke sounds like a task for Mohammed, but museum curator Wendy Watson has more than met the challenge. Watson has organized a dynamic exhibition of original black and white images made between 1879 and 1909 by the acclaimed Italian alpinist-photographer Vittorio Sella, to open at the Mount Holyoke College Art Museum January 29. Summit will formally open with a gallery talk Friday, February 4, at 4:30 pm by Sella's great-grandson, Lodovico Sella, director of the Fondazione Sella in Biella, Italy. An opening reception will follow.

Internationally celebrated for his high-altitude vision, the nineteenth-century innovator documented summits across four continents, many for the first time. From the Alps to craggy Ushba in the Caucasus, from majestic K2 in the western Himalayas to the Ruwenzori in Africa, the photographs record with scientific precision and aesthetic authority a world of strikingly raw natural splendor.

Toting weighty camera equipment as high as 20,000 feet, the intrepid Sella managed to fulfill a double passion for the perils of climbing and the thrill of capturing the mystery of earth's most sublime geographies. Climbers have used Sella's images to map out routes for over a century, and alpine clubs have been among the primary archivists of his work.

Noted photographers such as Ansel Adams hailed Sella as one of the great recorders of nature, a man whose work inspired "religious awe." But the prolific pioneer's reputation remained obscure for most of the public. Mount Holyoke's exhibition, Summit: Vittorio Sella, Photographer and Mountaineer, spotlights a photographer of "great aesthetic and scientific importance," says Watson. She views the show as the "rediscovery of a man of major influence in the tradition of expeditionary photography," and believes his art deserves a firm foothold in the wider canon of photographic imagery.

Watson, an expert in nineteenth-century Italian photography, joined forces with mountaineer Paul Kallmes to select 120 vintage photographs and panoramas for the exhibition. Watson traveled to Italy to meet Sella's descendants and to work in the archive there, which holds more than 5,000 images captured during what was considered the golden age of mountaineering. More recently, Watson and Kallmes coauthored an award-winning book Summit (Aperture, NY) that will accompany the show.

Kallmes first discovered Sella's work while researching climbing routes at the Alpine Mountain Club in Boston five years ago, and approached Watson with the hope of bringing greater visibility to the unique photographer's vision. "This was before [Jon Krakauer's bestseller] Into Thin Air was published," noted Watson, who agrees that current interest in perilous climbing narratives, including the Mallory story, will perhaps bring even greater currency to the Sella show, which will travel to museums in New York City and Banff, Canada.

Clearly transcending the sensationalism of today's popular climbing books, however, Sella's substantial body of work, which included ethnographic studies, stood out even in his day, when, as Watson noted, "most nineteenth-century Italian photographers focused on the cultural riches of Italy." In Sella's era, notes Kallmes in Summit, mountain peaks were considered barren, haunted wastelands. "Sella, more than any other photographer," he writes, "must be credited with drawing the mountains out from under an age-old shadow of superstition." Vittorio Sella's work will undoubtedly expose viewers to the radiance of earth's most remote and mysterious regions.

A lecture on Sella's work by Watson and Kallmes will take place February 10. Other scheduled lectures are "Into Thin Air: Mountaineering Then and Now," by Alan Durfee, professor of mathematics, February 17; "Adventures, Spies, and Scientists in the Himalayas," by Thomas Millette, associate professor of geography, earth and environment, February 24: and "Eastward and Upward: Romancing the Caucasus," by Stephen Jones, associate professor of Russian and Eurasian studies, March 2. The exhibition runs through March 10.

 

photo of Wendy Watson by Fred LeBlanc


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