For
immediate release
October 7, 2004
LEADING AFRICAN FILMMAKER
OUSMANE SEMBÈNE
TO SCREEN MOOLAADÉ,
2004 WINNER AT CANNES
SOUTH HADLEY – Senegalese filmmaker Ousmane Sembène,
one of the most prominent figures in African cinema, will visit
the campus of Mount Holyoke College on October 19 to screen his
most recent film, Moolaadé. The screening, at 7 pm in Gamble
Auditorium of the Art Building, will be the first showing at an
academic institution for Moolaadé, which won the Un Certain
Regarde prize at this year's Cannes Film Festival. A question-and-answer
session will follow the screening.
A conversation with Sembene will be offered on October 20 at 4
pm in the New York Room of Mary Woolley Hall. Both the conversation
and screening are free and open to the public, and both venues
are accessible by wheelchair.
Moolaadé tells the story of four young girls in a small
village in Senegal who revolt against the tradition of female genital
mutilation. They seek the help of a woman in the village who offers
them "moolaadé," or "protection," against
their seizure by the male elders of the village. Protection of
the weak is also a powerful tradition, and those who violate its
protections face a penalty of death.
"The film is constructed on the tension between these two
conflicting values," said Samba Gadjigo, an MHC professor
of French who is Sembène's biographer and provided the English
and French subtitles for the film. Moolaadé supports
the world community in its condemnation of female genital mutilation
as barbaric, and
is also more broadly "a metaphor for women's liberation and
the liberation of African peoples," Gadjigo said. He added
that women's issues and the emancipation of African peoples have
long been the concern of Sembène, who dedicated Moolaadé to “mothers,
women who fight for the abolition of this leftover of a time past.” He
is making his third visit to Mount Holyoke.
Sembène's appearances at MHC are sponsored by the offices
of the dean of the faculty and the dean of the college; the Center
for Global Initiatives; the Weissman Center for Leadership and
the Liberal Arts; the Hubbell Fund; the departments of women's
studies, French, earth and environment, and film studies; the Smith
College department of art; the Hampshire College program in film,
photography, and video; the University of Massachusetts department
of anthropology, and the Five College African Studies Council.
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