For
immediate release
September 19, 2002
TALK BY HARVARD PHYSICIST TO LAUNCH SERIES
ON
VISUAL STUDIES AT MOUNT HOLYOKE COLLEGE
SOUTH HADLEY, Mass. What is left in, and what is left out,
when the story of an historical event is told in images or in
the written word? Peter L. Galison, a Harvard University physicist
and scientific historian, will explore that question in “The Hydrogen
Bomb: Writing and Filming History,” a talk he will deliver on
Thursday, September 26, at 7 pm in the art building’s Gamble Auditorium.
The lecture is free and open to the public, and the auditorium
is accessible by wheelchair.
“Print and film each illuminate—and obscure—dimensions of history.
The moral and political history of the hydrogen bomb offers an
instructive example," says Galison, Mallinckrodt Professor of
the History of Science and of Physics at Harvard. "First detonated
in 1952, the H-bomb is in many ways a unique weapon, developed
in a brief interregnum between World War II and the establishment
of a full-scale military-industrial complex. During that pause,
leading civilian scientists not only were vital to the building
of nuclear weapons; they were also (relatively) free to intercede
at the moral-political level. J. Robert Oppenheimer and James
Conant led a central group of physicists as they actively resisted
the production of the 'super bomb.' In an effort to understand
the furious debate that ensued, I have approached the material
first through written history and then through a documentary film—this
lecture is an analysis of the very striking differences between
the two media."
Galison’s lecture kicks off The Culture and Nature of the
Visual, the College's yearlong public lecture series focusing
on visual literacy. Tied to the series is a faculty seminar that,
over the course of the year, will enable more than thirty-five
MHC faculty members from many different disciplines to exchange
ideas about topics of visuality in relation to teaching and scholarship
and to explore ways that visual literacy can be incorporated across
the curriculum. Each lecture will be held on a Thursday evening,
and faculty seminar participants will meet the next day to discuss
the lecture's topic with the speaker. The seminar and lectures
are being cosponsored by the Office of the Dean of Faculty and
the Weissman Center for Leadership.
Says coorganizer Debbora Battaglia, professor of anthropology,
"Our hope is that the seminar and lecture series will foster new
awareness of the social, cultural, and historical dimensions of
visuality as practiced diversely within the arts, sciences, humanities,
and social sciences. In addition to serving members of the Five
College community, the series is intended to foster a long term
and necessary conversation about visuality across Mount Holyoke
College, in the classroom, and in faculty research.
" Associate Professor of Art and series coorganizer Anthony Lee
feels that visual literacy is a necessity duirng modern times.
“The visual can be the lingua franca of the twenty-first century,”
he says, “a language to help cross borders and make connections
with others.”
In addition to his main work, exploring the complex interaction
between the three principal subcultures of twentieth century physics
-- experimentation, instrumentation, and theory -- Galison is
well-known for his studies of links between the history of science
and neighboring fields. He is the author of How Experiments
End (Chicago University Press, 1987), (Chicago University
Press, 1997), and Big Science: The Growth of Large Scale Research
(Stanford University Press, 1992), and the co-editor of Picturing
Science, Producing Art (Routledge, 1998) and The Architecture
of Science (MIT Press, 2000). He was named a John D. and Catherine
T. MacArthur Foundation Fellow in 1997, and in 1999 was a winner
of the Max Planck Prize, given to individual researchers for outstanding,
internationally recognised scientific achievements.
Upcoming speakers in the visuality series include Margaret Livingstone,
professor of neurobiology at Harvard Medical School, who will
give an October 24 talk titled "Vision and Art: Anatomy, Physiology,
Painting, and Illusion." Columbia University Professor of Anthropology
Michael Taussig will give a lecture titled "The Language of Flowers"
on December 5.
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