Ligia Bouton was born in Sao Paulo, Brazil, and spent her childhood in London, England. Recent sculptural projects have been shown at the Crystal Bridges Museum of American Art, the National Museum of Women in the Arts and Guildhall Art Gallery in London. In 2016, Bouton’s work was featured in the exhibition, “Charlotte Great and Small,” celebrating the bicentenary of Charlotte Brontë’s birth at the Brontë Parsonage Museum in Yorkshire. Bouton is also the recipient of a 2016 Creative Capital grant as a member of the creative team for "Inheritance: A Chamber Opera", which will premiere at UC San Diego in 2018.
Rie Hachiyanagi is an installation and performance artist who frequently uses her handmade paper in her artwork. Handmade paper, she feels, is an apt medium for expressing the ephemerality of existence and exploring the communion between humans and nature. For one of her research projects she is collecting and documenting stories from aging Japanese papermakers before their knowledge disappears without being recorded. Hachiyanagi hopes to uncover a crucial female role in the history of papermaking, which has seldom been acknowledged in the traditional craft world.
Lisa Iglesias's visual research materializes through an individual practice rooted in drawing and painting as well as collective projects with her sister, sculptor and assistant professor at University of California San Diego, Janelle Iglesias. As Las Hermanas Iglesias, the two make work with each other and their family members that reflects their Dominican/Norwegian heritage, disrupts discipline categories and often encourages audience participation. Through individual and collaborative works, Lisa Iglesias's goal is for the viewer to consider both various forms of time as well as the act of collaboration – whether with another person, community, architectural space or material.
Amanda Maciuba’s work is concerned with how the effects of purposeful human actions, alongside uncontrollable factors of time and nature, alter both the current landscape and human agency within that landscape. “In my work, I use printmaking, book arts, installation and drawing to question the sustainability of our current decisions and actions within the cycles of development and destruction upon the landscape. As I create the work I question how the land we live on has become what it is today and consider my own impact upon the landscape. Ultimately, I call attention to the unique and irrational characteristics of locations, both the natural beauty and the absurdities that we create in the landscapes of our everyday.”
Gina Siepel works in a wide range of media and materials, including sculpture, performance, drawing, woodworking, and video. Her work investigates cultural understandings of nature, gender, American history, and the construction of the self, frequently through the undertaking of collaborative experiments in public spaces. Recent exhibitions include the DeCordova Museum and Sculpture Park, Marlboro College, Colby Museum of Art, and Flux Factory, and grants include the Berkshire Taconic Foundation, the Puffin Foundation and the Northampton Arts Council.