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Faculty Accomplishments

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Honor

Project, "Emma's Walk," commemorating the life of Emma Goldman, is included in a group exhibition titled Skowhegan Artists at the Maine Jewish Museum.

 

Was an invited online speaker at The Center for Art in Wood (Philadelphia, PA), where she gave a lecture entitled “To Understand a Tree, A Work in Process,” on a long-term project underway at the Smith College Macleish Field Station. Gina is also exhibiting in AREA CODE Art Fair (Boston MA), the first art fair featuring contemporary artists with ties to New England. 

Solo exhibition "New World Reconsidered," at the Mazmanian Gallery at Framingham State University, Framingham MA. The show is open from Feb 24 - March 19, 2020 with a reception and artist lecture on March 4.

Gave a public lecture on recent work as an invited visiting artist in the "Local Ecologies" exhibition, jointly curated and sponsored by UMass Dartmouth, UMass Boston and UMass Lowell. Siepel is also serving as a visiting artist in the Department of Sculpture at the Maine College of Art. (2019)

Kate Singer

Publication

Singer, Kate. (2024). Creatrix Witches, Nonbinary Creatures, and Shelleyan Transmedia. In Omar F. Miranda and Kate Singer (Eds.), Percy Shelley for Our Times (pp. 214-237). Cambridge University Press.

Miranda, Omar F. and Singer, Kate (2024). Percy Shelley for Our Times. Cambridge University Press.

Singer, K. (2024). “Multi-dimensional Sex with Objects in Millenium Hall.” In Kathryn Ready and David Sigler (Eds.), Romantic Women’s Writing and Sexual Transgression (pp. 30-51). Edinburgh University Press.

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.

Singer, K. (2022). “Shapeshifting Romantic Consciousness." In Richard Sha and Joel Faflak (Eds.), Romanticism and Consciousness, Revisited (pp. 311-338). Edinburgh University Press.