The MHC music department bids farewell to Professor Linda Laderach, violin soloist, and features last year’s concerto competition winner Hannah Pozzebon, flute soloist. Ng Tian Hui conducts. Free and open to the public.
Join the Mount Holyoke Symphony Orchestra for an exploration of musical friendships, presenting soloist Hannah Pozzebon ‘20 performing Chaminade’s Concertino for flute, Professor Linda Laderach, soloist in the first movement of Brahms Violin Concerto and concert-hall-favorite, Symphony No. 94, the "Surprise,” of Franz Joseph Haydn.
Linda Laderach, violin
Professor of Music
Linda Laderach combines a performing career on both Baroque and modern violin with her teaching career at Mount Holyoke.
Born in Toledo, Ohio, Laderach performed with the Toledo Symphony Orchestra at the age of 16. She won concerto competitions and performed the Barber Violin Concerto at Indiana University, where she was a student of Urico Rossi and Josef Gingold, and the Brahms Violin Concerto at Ohio University, where she was a student of Howard Beebe. Laderach studied chamber music with Janos Starker, William Primrose, Albert Lazan, Fritz Magg, and Leighton Conkling. She also attended and performed at the Yale Summer School of Music and Art, Aspen Music Festival, Oberlin Baroque Performance Institute, and the University of Michigan in a weeklong master class with Henryk Szeryng.
Laderach has played many solo as well as chamber music concerts at Mount Holyoke and in the Five College area. Since 1989, she has toured the United States, Europe, and Asia with colleague Larry Schipull; their CD’s of Beethoven sonatas on the Folger Library Bard label and I Wonder as I Wander, an album of contemplative music for Winter and Christmas are available online. Laderach and Schipull also worked on an interactive CD-ROM program on historically informed performance.
Laderach has taught in the Toledo Public Schools, at Bowling Green State University Extension Division, the Eastern Music Festival, the Aspen Music Festival and as a sabbatical replacement at Smith College and Ohio University.
Laderach’s life-long interest in learning and the brain has most recently found a “home” in the cross-listed course, Art, Music and the Brain, co-taught with Psychology professor Mara Breen, who studies the melodic inflections of speech. This interdisciplinary, hands-on course introduces students to how the brain processes visual and auditory stimuli.
Hannah Pozzebon '20
Hannah Pozzebon is a sophomore at Mount Holyoke College studying International Relations and Music. She is from Sacramento, California and currently lives in Murfreesboro, Tennessee. Hannah started playing the flute in 6th grade band. In high school, she started orchestra in the Murfreesboro Youth Orchestra. Later, she played in the Nashville Youth Orchestra Program, which is part of the pre-college program at Vanderbilt’s Blair School of Music. She played in two of the program’s orchestras, Philharmonia Orchestra and Nashville Youth Repertory Orchestra. In MHSO, Hannah is a head librarian on the board. During the summer, she participates in the Nashville Summer Orchestral Institute as a fellowship recipient. This past summer, Hannah worked at Tanglewood as a Public Representative.
While she likes playing the flute, she also enjoys playing the piccolo and cannot decide which she likes best. Hannah especially likes music from the Romantic era. Her favorite composer is Tchaikovsky due to seeing “The Nutcracker” many times as a kid.
Outside of music, Hannah enjoys knitting, watching movies, hiking, eating great food, cooking, and traveling. While away at school, she misses her pets, her two dogs, Holly and Nova, her birds, Birby and Oiseau, and her horses, JD and Molly.
Ng Tian Hui
Orchestra Director; Assistant Professor of Music
The American Prize winning conductor Ng Tian Hui is Music Director of the Mount Holyoke Symphony Orchestra (USA), and the Interim Music Director of the University of Massachusetts Amherst Symphony Orchestra (USA).
His innovative programming has been acknowledged with grants from institutions such as the Massachusetts Cultural Council, National Arts Council of Singapore, Singapore International Foundation, Women’s Philharmonic, and WomenArts, in addition to other awards from the Oregon Bach Festival, the Dartington International Music Festival, the Yale School of Music, and the Singapore Government Public Service Commission.
Advocating new music
An advocate of new music, he has assisted in and premiered new works by Pulitzer and Rome Prize winners such as Curt Cacioppo, Aaron Jay Kernis, Robert Kyr, David Sanford, and Joan Tower, and many young composers. He is particularly proud of his commissioning work, which has helped composers like Chen Zhangyi garner international prizes such as the London Symphony Orchestra Prize. His 2001 direction of Stravinsky’s The Rake’s Progress was praised by the Birmingham Post (UK) for its “high orchestral quality” while his 2014 premiere of Mary D. Watkins’s Civil Rights era opera, Dark River, was critically acclaimed in the United States.
International and versatile conducting
Tian has conducted orchestras around the world including the Moravian Philharmonic Orchestra (Czech Republic), Dartington Festival Orchestra (UK), Orchestra of the Royal Opera of Wallonie (Belgium), and the Oregon Bach Festival Orchestra (USA), and musicians from the London Symphony Orchestra (UK), Orquestra de Cadaqués (Spain), Scottish Chamber Orchestra (UK), Tempesta di Mare (USA), and Vancouver Symphony Orchestra (Canada).
A versatile musician, he is equally at home in the realm of choral music and has conducted ensembles like the Stuttgart Chamber Choir (Germany), Carnegie Hall Festival Chorus (USA), Oregon Bach Festival Chorus (USA), Yale Schola Cantorum (USA), and the Young Person’s Chorus of New York (USA). He has collaborated with internationally renowned artists such as Dashon Burton, Tyler Duncan, Marcus Eiche, Adrianne Greenbaum, Ayano Kataoka, Ilya Polataev, Gary Steigerwalt, Astrid Schween, Philip Lima, Hanna Elisabeth Müller, Nicholas Phan, James Taylor, Gilles Vonsattel and Soyoung Yoon.
Tian’s irrepressible musical spirit first expressed itself when he conducted a choir of kindergarten children in his native Singapore at the age of five. A pianist, singer, and trombonist, he later studied composition and early music at the University of Birmingham (UK) where he discovered his love for Stravinsky and contemporary music.
Creative and interdisciplinary approaches
Returning home, he helped found one of the first contemporary music ensembles in the country and was soon composing for animation, dance, film, chorus, and orchestra. It was during this time that he discovered his affinity for interdisciplinary work and created the groundbreaking site-specific community-based arts festival, NOMAD, with which he has won awards from the Singapore National Arts Council. His works have since been heard in diverse settings such as the Hong Kong Film Festival, Animation World Magazine (USA), and Apsara Asia Dance (Singapore).
Tian continued his education at the Yale School of Music (USA) where he helped to start a new tradition with the music of his graduation recital reflecting on war and conflict. There, he fed his passion for the masterworks of the choral orchestral repertoire, assisting such renowned interpreters as Nicholas McGegan, Masaaki Suzuki, Dale Warland, Simon Carrington, Marguerite Brooks and Jeffrey Douma. His recent studies have included work with Paolo Arrivabeni, John Carewe, Peter Eötvös, Kurt Masur, and Michel Tabachnik.