Nigel Alderman

Chair of English; Associate Professor of English
Specialization: 
Twentieth and twenty-first century British literature and culture, modernism, romantic poetry, and literary theory, especially Marxist aesthetics.

Nigel Alderman specializes in twentieth-century British literature with a more general interest in romantic and post-romantic poetry and poetics. He is currently finishing a book, Transitional Forms, on English Literature of the 1960s, that examines the turn from myth construction to historiographic investigation in the works of Doris Lessing, Muriel Spark, Harold Pinter, Peter Brook, Geoffrey Hill, and Ted Hughes.

Alderman has also written on John Milton and memory, on William Wordsworth, John Keats, Thomas Carlyle and the professional imagination, on William Wordsworth's construction of a social self, on T. S. Eliot's quatrain poems (an essay which won the Andrew J. Kappel Annual Award for best article of literary criticism published in Twentieth Century Literature), on Philip Larkin and national allegory, and on the historicopoetics of 1960s British poetry. He recently wrote with Michael Thurston, Reading Postwar British and Irish Poetry (Wiley-Blackwell, 2014). He has co-edited, with C. D. Blanton, Pocket Epics: British Poetry After Modernism (2000) and A Concise Companion to Postwar British and Irish Poetry (Wiley-Blackwell 2009). 

Until May 2005, Alderman taught at Yale University where he was awarded the Sidonie Miskimin Clauss Prize for Teaching Excellence in the Humanities, the Sarai Ribicoff Award for the Encouragement of Teaching at Yale College, and a Morse Junior Faculty Fellowship. He teaches both literature and theory courses that focus primarily on the twentieth century. In addition to being a member of the English department, he is also a member of Mount Holyoke's program in Critical Social Thought.

Selected Publications

  • "Impossible Elegies: Poetry in Transition 1945-1960." Postwar: Literature in Transition 1940-1960. Ed. Gill Plain. Cambridge: Cambridge University Press, 2019.
  • "'That Shed Out in the Garden': The Poetics of Reference in Harold Pinter's The Caretaker." The Harold Pinter Review. 2. 1. (2018).
  • Reading Postwar British and Irish Poetry. Co-written with Michael Thurston. (Oxford: Wiley-Blackwell, 2014).
  • "'Unity Sublime': The Excursion's Social Self." Yale Journal of Criticism. 18. 1 (2005): 21-43.
  • “ `Singleness of Aim': Wordsworth, Keats, Carlyle and Professional Ambitions” Romantic Generations: Essays in Honor of Robert F. Gleckner. Eds. Ghislaine McDayter, Guinn Batten, and Barry Milligan. London: Associated University Presses, 2001.
  •  "'The Life With A Hole In It': Philip Larkin and the Condition of England." Textual Practice. 8.2 (1994): 279-301.
  • "'Where are the Eagles and Trumpets?': The Strange Case of Eliot's Missing Quatrains." Twentieth Century Literature. 39.2 (1993): 129-151.