Sabra Thorner is a cultural anthropologist who has worked with Indigenous Australians for over 15 years, focusing on photography, digital media and archiving as forms of cultural production and social activism. She is broadly interested in visual/media anthropology, digital cultures, anthropology in/of museums, Indigenous Australia and Indigenous art/media worlds, intellectual property and cultural heritage regimes, ethnographic and documentary film, and art and society. She is currently working on her first monograph, on Indigenous photography in Australia, as well as a collaborative edited collection on the revitalization of Aboriginal arts in southeastern Australia.
Included in a Australian Research Council (Australia) Grant via agreement with the University of Melbourne for the project "Indigenous Storytelling and the Living Archive of Aboriginal Knowledge." The project is for 3 years. (2020)
Thorner, S., Rive, L., Dallwitz, J., and Inyika, J. (2019). Never Giving Up: Negotiating, Culture-Making, and the Infinity of the Archive. In Language Documentation & Conservation Special Publication No. 18. Archival Returns: Central Australia and Beyond, edited by Linda Barwick, Jennifer Green, and Petronella Vaarzon-Morel, 263-284. Honolulu: University of Hawai’i Press.
Thorner, S., F. Edmonds, M. Clarke, K. Thorpe, R. Khan, and S. Huebner (2019). The Living Archive of Aboriginal Art: Maree Clarke and the Circulation of Photographs as Culture-Making. Mapping Meaning, the Journal, 3, 38-63. Retrieved from http://www.mappingmeaning.org/the-journal-issues.
Ombretta Frau and Sabra Thorner led a gallery talk in the Mount Holyoke Art Museum on “The Afterlives of Objects” on November 7, 2019.