Faculty Accomplishments

Mbembe, A. & Shread, C. (trans.) (2021) Notes on Late Eurocentrism, Critical Inquiry In the Moment. (2021, July 1). Retrieved from https://critinq.wordpress.com/2021/07/01/notes-on-late-eurocentrism/

Shread, C.  (2021) Response by Shread to “Representing experiential knowledge”, Translation Studies, 14(1), 104-108, DOI: 10.1080/14781700.2020.1850333

Shread, C. (2020, August 6). "Taking the Risk To Translate as Our Intelligence Morphs." Columbia University Press Blog. Retrieved from: https://www.cupblog.org/2020/08/06/taking-the-risk-to-translate-as-our-intelligence-morphsby-carolyn-shread/

Ergun, E., Shread, C. et al.. (2020). Women (Re)Writing Authority: A Roundtable Discussion on Feminist Translation. In Translation, Feminism and Gender (pp. 1-30). London, UK: Routledge.

Mbembe, A. & Shread, C. (trans.) (2020) The Universal Right to Breath, Critical Inquiry In the Moment. (2020, April 13).

Singer, Kate. (2024). Creatrix Witches, Nonbinary Creatures, and Shelleyan Transmedia. In Omar F. Miranda and Kate Singer (Eds.), Percy Shelley for Our Times (pp. 214-237). Cambridge University Press.

Miranda, Omar F. and Singer, Kate (2024). Percy Shelley for Our Times. Cambridge University Press.

Singer, Kate (2024). “I feel it coming in the air tonight”: Mephitical Vapors, Pestiferous Plagues, and the Psychosis of Materiality in Wollstonecraft. In Elizabeth Fay (Ed.) Romantic Psychosis. Romantic Circles Praxis Series. Romantic Circles. https://romantic-circles.org/praxis/psychosis/praxis.2023.psychosis.singer.

Singer, K. (2024). “Multi-dimensional Sex with Objects in Millenium Hall.” In Kathryn Ready and David Sigler (Eds.), Romantic Women’s Writing and Sexual Transgression (pp. 30-51). Edinburgh University Press.

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.