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Faculty Accomplishments

Faculty Accomplishments

Mount Holyoke professors have won Guggenheim awards, NASA grants and Carnegie Fellowships.

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Alex Moskowitz

Publication

Moskowitz, A. “Apathy, Political Emotion, and the Politics of Space in Thoreau’s Antislavery Writing.” Criticism: A Quarterly for Literature and the Arts, vol. 64, no. 2, 2022, pp. 139-160.

Moskowitz, A. “Martin Delany: Labor, Ecology, and Black Freedom.” The Concord Saunterer: A Journal of Thoreau Studies, vol. 30, 2022, pp. 59-75.

Moskowitz, A. "Black Political Organizing and Radical Transcendentalism: David Walker and Margaret Fuller." Conversations, vol. 4, iss. 2, 2022, pp. 5-8.

Moskowitz, A. “Economic Imperception; or, Reading Capital on the Beach with Thoreau.” American Literary History, vol. 32, no. 2, 2020, pp. 221-242.

Moskowitz, A. “The Production of the Subject: Foucault, Marx, and the Ontology of the Market.” Polygraph: An International Journal of Culture & Politics, vol. 27, Feb. 2019, pp. 85-110.

Singer, Kate. (2024). Creatrix Witches, Nonbinary Creatures, and Shelleyan Transmedia. In Omar F. Miranda and Kate Singer (Eds.), Percy Shelley for Our Times (pp. 214-237). Cambridge University Press.

Miranda, Omar F. and Singer, Kate (2024). Percy Shelley for Our Times. Cambridge University Press.

Singer, Kate (2024). “I feel it coming in the air tonight”: Mephitical Vapors, Pestiferous Plagues, and the Psychosis of Materiality in Wollstonecraft. In Elizabeth Fay (Ed.) Romantic Psychosis. Romantic Circles Praxis Series. Romantic Circles. https://romantic-circles.org/praxis/psychosis/praxis.2023.psychosis.singer.

Singer, K. (2024). “Multi-dimensional Sex with Objects in Millenium Hall.” In Kathryn Ready and David Sigler (Eds.), Romantic Women’s Writing and Sexual Transgression (pp. 30-51). Edinburgh University Press.

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.