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Singer, K (Ed.). Transing Romanticism. European Romantic Review, 36(2), 195-358.
Singer, K (Ed.). (2025). Black Studies and Romanticism 2. Vol. 84 (Spring 2025). https://ronjournal.org/articles/n84/.
Singer, K., Leveton, J. H., Turner, K. (2025). “Alternate Endings”: Romanticisms, Anthropocenes, Objects Study, and Activist Art Futures. Essays in Romanticism 32 (1) 39-68. https://doi.org/10.3828/eir.2025.32.1.5.
Singer, Kate, ed. (2024). Black Studies and Romanticism Romanticism on the Net 82 (Spring 2024). https://ronjournal.org/
Singer, Kate. (2024). Creatrix Witches, Nonbinary Creatures, and Shelleyan Transmedia. In Omar F. Miranda and Kate Singer (Eds.), Percy Shelley for Our Times (pp. 214-237). Cambridge University Press.
Miranda, Omar F. and Singer, Kate (2024). Percy Shelley for Our Times. Cambridge University Press.
Singer, Kate (2024). “I feel it coming in the air tonight”: Mephitical Vapors, Pestiferous Plagues, and the Psychosis of Materiality in Wollstonecraft. In Elizabeth Fay (Ed.) Romantic Psychosis. Romantic Circles Praxis Series. Romantic Circles. https://romantic-circles.org/praxis/psychosis/praxis.2023.psychosis.singer.
Singer, K. (2024). “Multi-dimensional Sex with Objects in Millenium Hall.” In Kathryn Ready and David Sigler (Eds.), Romantic Women’s Writing and Sexual Transgression (pp. 30-51). Edinburgh University Press.
Named President of the Keats-Shelley Association of America (k-saa.org), an international organization of more than 300 members devoted to the study and enjoyment of the works of Keats, the Shelleys, and the larger Romantic period. We support young scholars, provide events to the larger literary community of readers, and create community across academics, life-long literary enthusiasts, and young readers.
Sinha, A. (2023). Photo-Attractions: An Indian Dancer, an American Photographer, and a German Camera. Rutgers University Press.
