Faculty Accomplishments

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Monahin, N. (2024) “Negotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare’s Plays.” In The Ball: Pleasure, Power, Politics, 1600–1900. 5th Historical Dance Symposium, Burg Rothenfels am Main, 15-19 June, 2022, Germany. Conference Proceedings, edited by Uwe Schlottermüller and Howard Weiner, June 2022. Posted (Nov 2024 ) on Shakespeare and Dance Project website: https://shakespeareandance.com/articles/negotiating-text-and-movement/


Monahin, Nona & Pash, Meg. (2024, February 22). The Interdependence of Music and Dance in 16th-century Renaissance Dance Reconstruction. Early Dance Symposium 2024 - virtual conference hosted by the University of Pennsylvania and the Dance Studies Association’s Early Dance Working Group.


Monroe, A. (2024) Trobár's first album, Il Dit Elle Dit: Love & Dialogue in the World of Christine de Pizan, received a favorable review in Early Music America Magazine. The review highlighted its "exquisite intonation," "delightful lilt," and "clear," "vital," and "well-balanced" sound, and quoted extensively from Artistic Director Allison Monroe's liner notes. https://www.earlymusicamerica.org/web-articles/he-said-she-said-in-french-courtly-love/


Medieval music ensemble Trobár just released their first album, Il Dit Elle Dit: Love and Dialogue in the World of Christine de Pizan, featuring Allison Monroe (Artistic Director), Elena Mullins (Executive Director), Karin Weston, and Tis Kaoru Zamler-Carhart. The album is now available on all major streaming platforms or via their website: https://www.trobarmedieval.org/album


Monroe, A. (2025) In a review by Cleveland Classical of Les Délices' most recent performance, The Mermaid, Allison Monroe received accolades for her "nice fiddle filigree."