Olabode Festus Omojola

Hammond-Douglass Five College Professor of Music
Ethnomusicology; African music

Olabode Omojola’s research focuses on African music, with emphasis on West African, Nigerian, and Yorùbá traditions. His work has explored indigenous and modern musical traditions, and addressed themes including:

  • performance practice;
  • creative ethnomusicology;
  • music, identity, and social dynamics;
  • music and politics;
  • diasporic perspectives; and
  • intercultural aesthetics.

As a Five College professor, Omojola teaches at Mount Holyoke College and the four other institutions in the Five College Consortium, namely, Amherst, Hampshire, and Smith colleges, and the University of Massachusetts in Amherst. He taught previously at the University of Ilorin in Nigeria and at Northeastern University in Boston.

Omojola is the recipient of a number of prestigious fellowships, including the Radcliffe Institute fellowship in musicology at Harvard University (2004–2005), the Alexander von Humboldt Foundation fellowship at the University of Cologne, Germany (1996–1998), and the Northwestern University African Humanities Fellowship Program in African music, which was hosted by the University of Ghana (2000). A former cochair of the African music section of the Society for Ethnomusicology, Omojola is the founding secretary of the Nigerian Musicological Society (now the Association of Nigerian Musicologists). He serves on the editorial board of the journal Ethnomusicology .

Omojola’s publications include numerous articles and reviews in peer-reviewed journals such as Ethnomusicology , British Forum for Ethnomusicology , Journal of Popular Music Studies , Research in African Literatures , and Black Music Research Journal . His books include:

  • Yorùbá Music in the Twentieth Century: Identity, Agency, and Performance Practice (University of Rochester Press, 2012), which won honorable mention in the 2014 SEM/African music section’s Kwabena Nketia Book Prize competition;
  • Popular Music in Western Nigeria: Theme, Style, and Patronage System (Institut Français de Recherche en Afrique, 2014);
  • The Music of Fela Sowande: Encounters, African Identity, and Creative Ethnomusicology (MRI Press, 2009); and
  • Nigerian Art Music : with an Introductory Study of Ghanaian Art Music (Institut Français de Recherche en Afrique, 1995).

Omojola has directed productions of two major Yorùbá operas, Kola Ogunmola’s The Palmwine Drinkard (based on Amos Tutuola’s novel)and his own work, Queen Moremi , which is based on the Moremi legend of the Yorùbá people. The two works were performed by Five College African music students , supported by professional musicians and choreographers, and were jointly produced by Mount Holyoke College's Department of Music and Department of Theatre Arts.

At Mount Holyoke, Omojola teaches courses in ethnomusicology, African music, and world music.

Recent Campus News

Tianhui-Ng- Pioneer Valley Symphony

Using new music to tip the scales for justice

Mount Holyoke associate professor Tianhui Ng worked with White Snake Projects to stage an online concert. 

This is a group photo of Dean of Faculty Jon Western with professors Jeremy King, Girma Kebbede, Bode Omojola and Amy Frary, and Acting President Sonya Stephens

Excellence awards for outstanding professors

Mount Holyoke professors were presented with awards for their superb teaching and scholarship at the annual recognition ceremony.

Bingyao Liu ‘19

Sophomore brings Chinese music to the valley

Music was just a hobby for Bingyao Liu ’19. Then she came to Mount Holyoke, founded the area’s first Chinese music ensemble and discovered klezmer music.

Recent Publications

Omojola, B. (2020).  "The Yoruba God of Drumming: Transatlantic Perspectives on the Wood that Talks" African Arts, 53 (3),93-95. https://muse.jhu.edu/article/762935/summary

Omojola, B. (2019). "Singing Yoruba Christianity: Music, Media, and Morality." Yale Journal of Music & Religion, 5 (2), 133-135. https://elischolar.library.yale.edu/yjmr/vol5/iss2/10/

Omojola, B. (2019). "Contemplating African art music: a reflection on the Akin Euba Symposium and Concert." Journal of the Musical Arts in Africa, 16 (1-2), 163-171. https://www.tandfonline.com/doi/abs/10.2989/18121004.2019.1698169?src=recsys

Omojola, B. (2020). "Toward an African Operatic Voice: Composition, Dramaturgy and Identity Strategies in New Yoruba Opera." In Matzke, C., van der Hoven, L., Odhiambo, C., & Roos, H. (Eds.), African Theatre: Opera and Music Theatre, (pp. 107-135). James Curry-Boydell & Brewer. 

Recent Honors

Featured in a BBC Documentary: Classical Commonwealth (Exploring the fusion of classical music with local traditions across the British Commonwealth, February 24, 2021). https://www.bbc.co.uk/programmes/m000sht9

Was a webinar guest speaker at Universität Bayreuth, Germany on January 14, 2021. His lecture was titled, Oper bewegt - Towards an African Operatic Voice.


Convened and directed a 3-day exploratory seminar titled “African Art Music: Composers, Performers, and Scholars in Dialogue.” It was hosted by Harvard Radcliffe Institute in June 2021 and featured participants from Africa, Europe, and the United States.